Structurosa TapeThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.

by pauldhunt
cloned from Structurosa Caps by pauldhunt, and Structurosa by pauldhunt
see also HofzDuo by hofnik


Details

Description:
-
Stats:
201 characters, 114 downloads
Created:
Tue, 8th April, 1:25 PM 2008
Last Edit:
Tue, 16th June, 12:27 AM 2009
Tags:
Rate it:
  • Currently 4.88387
4.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E4.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E4.6%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 11 votes
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Discussion

aaaalllleeeexxxx
aaaalllleeeexxxx Sun, 4th October, 2009

This font is, sadly, boring. I mean yes, it's got a jazzy feel to it and yes, it has more characters than most fonts do. But come on! We all know you can do much better, pauldhunt. As far as I can see, you only used five types of bricks. *SIGH* I basicly did the same thing with my own Venetian Blinds (CUBIC). And even I hate that!

aaaalllleeeexxxx
aaaalllleeeexxxx Sun, 4th October, 2009

PS
Is this really a Top Pick, or is my computer just going throught some kind of glitch?


I gave you 6/10;
2/10 for the font, 4/10 for effort.

aphoria
aphoria Mon, 5th October, 2009

@aaaalllleeeexxxx I'm sure it's not your intent, but many of your comments come across as uninformed and wrongly critical.

While your own Venetian Blinds (CUBIC) is similar, and has several nice glyphs, it lacks a consistency that is found in Structurosa Tape.

Youssef
Youssef Mon, 5th October, 2009

alex,

some of the most influential type designs of the past 50 years have been designed on single shapes (namely the square), let alone 5 which is the case here. Whether we recognise it or not but we owe much of why this community of modular, grid based font designers exists to Crouwel. (amongst others)

Aside from all this folly I must point out that I think pauldhunt based this on the 'fontstruct' logo but replacing the curves with diagonal lines. It was a theoretical exercise which works. Nice job pauldhunt

Just as a by the way, 2/10 + 4/10 = 6/20 = 3/10...

alex,
<br/>
<br/>some of the most influential type designs of the past 50 years have been designed on single shapes (namely the square), let alone 5 which is the case here. Whether we recognise it or not but we owe much of why this community of modular, grid based font designers exists to Crouwel. (amongst others)
<br/>
<br/>Aside from all this folly I must point out that I think pauldhunt based this on the 'fontstruct' logo but replacing the curves with diagonal lines. It was a theoretical exercise which works. Nice job pauldhunt
<br/>
<br/>Just as a by the way, 2/10 + 4/10 = 6/20 = 3/10...
Youssef
Youssef Mon, 5th October, 2009

alex,

some of the most influential type designs of the past 50 years have been designed on single shapes (namely the square), let alone 5 which is the case here. Whether we recognise it or not but we owe much of why this community of modular, grid based font designers exists to Crouwel. (amongst others)

Aside from all this folly I must point out that I think pauldhunt based this on the 'fontstruct' logo but replacing the curves with diagonal lines. It was a theoretical exercise which works. Nice job pauldhunt

Just as a by the way, 2/10 + 4/10 = 6/20 = 3/10...

alex,
<br/>
<br/>some of the most influential type designs of the past 50 years have been designed on single shapes (namely the square), let alone 5 which is the case here. Whether we recognise it or not but we owe much of why this community of modular, grid based font designers exists to Crouwel. (amongst others)
<br/>
<br/>Aside from all this folly I must point out that I think pauldhunt based this on the 'fontstruct' logo but replacing the curves with diagonal lines. It was a theoretical exercise which works. Nice job pauldhunt
<br/>
<br/>Just as a by the way, 2/10 + 4/10 = 6/20 = 3/10...