The Gallery: Browse and find FontStructions

What’s New

Top Picks

Everything


Bat Country

 by loboarchesThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 9.02009
9.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 23 votes
Last edit: 16.11.2009
Tags: Uwe, Chaos, Ink, Splat, Fear And Loathing, Bat Country, Ralph Steadman Laurie
Category: Display
39 Downloads39%20Downloads3923 Comments23%20Comments2355 Glyphs55%20Glyphs55I made this for my UWE graphic design first year project "communicating with words". I created this inspired by influences from Ralph steadman and Jackson pollock using the concept of inconsistansy and randomized mark making with ink. the name is derived from a quote from the book "fear and loathing in las vagas". 
I designed it by firstly creating the text with a pot of ink and the back side of a biro pen, then from that i drew them by hand onto A4 sheets of graph paper limitating each line to only 4 given angles, then finally transfering that onto fontstruct wich took roughly 30-40mins per letter. 
Enjoy!I%20made%20this%20for%20my%20UWE%20graphic%20design%20first%20year%20project%20%22communicating%20with%20words%22.%20I%20created%20this%20inspired%20by%20influences%20from%20Ralph%20steadman%20and%20Jackson%20pollock%20using%20the%20concept%20of%20inconsistansy%20and%20randomized%20mark%20making%20with%20ink.%20the%20name%20is%20derived%20from%20a%20quote%20from%20the%20book%20%22fear%20and%20loathing%20in%20las%20vagas%22.%20%0D%0AI%20designed%20it%20by%20firstly%20creating%20the%20text%20with%20a%20pot%20of%20ink%20and%20the%20back%20side%20of%20a%20biro%20pen%2C%20then%20from%20that%20i%20drew%20them%20by%20hand%20onto%20A4%20sheets%20of%20graph%20paper%20limitating%20each%20line%20to%20only%204%20given%20angles%2C%20then%20finally%20transfering%20that%20onto%20fontstruct%20wich%20took%20roughly%2030-40mins%20per%20letter.%20%0D%0AEnjoy%21

Alkador Dark

 by jinx
  • Currently 6.74374
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 06.10.2009
Tags: Alkador, Dark, Title, Fancy, Exquisite, Classic, Tall, Book, Jinx
Category: -
1 Downloads1%20Downloads12 Comments2%20Comments283 Glyphs83%20Glyphs83...dark...dark

Alkador

 by jinx
  • Currently 7.95395
8.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 9 votes
Last edit: 19.10.2009
Tags: Alkador, Title, Fancy, Exquisite, Classic, Tall, Book, Jinx
Category: -
4 Downloads4%20Downloads43 Comments3%20Comments389 Glyphs89%20Glyphs89......

book stack

 by funk_king
  • Currently 8.09148
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 11 votes
Last edit: 18.10.2009
Tags: Display, Decorative, Book Stack, Book, Books, Stack, Library
Category: Display
5 Downloads5%20Downloads57 Comments7%20Comments767 Glyphs67%20Glyphs67:)%3A%29

Broaden

 by lldaddyThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.80915
7.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 8 votes
Last edit: 26.07.2009
Tags: Display, Serif, Stab Serif, Extended, Wide, Art Deco, Decorative
Category: Pixel Optimized, Serif
9 Downloads9%20Downloads95 Comments5%20Comments582 Glyphs82%20Glyphs82For those who need to fill a long width with few characters, like the spine of a book or CD jacket.For%20those%20who%20need%20to%20fill%20a%20long%20width%20with%20few%20characters%2C%20like%20the%20spine%20of%20a%20book%20or%20CD%20jacket.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.

Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. 

Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.

From the book ‘Dutch Type’ by Jan Middendorp:

“Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”

“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”

Read more from ‘Dutch Type’.

Image from Letters op matt.

More images of Jurriaan Schrofer's work on Flickr:

Schrofer in Total Design book.

Cover for European Journal of Social Psycology

Museumjournaal, design Jurriaan Schrofer

Die Internationale Avant-Garde

Jurriaan Schrofer - Fodor catalog

Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Apollo

 by Magic Sam
  • Currently 7.40186
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 04.09.2009
Tags: Apollo, Simple, Nevilly, Brody, Magicsam, Magic, Sam, Bold, Sans, Serif, Type, Typo
Category: -
6 Downloads6%20Downloads67 Comments7%20Comments7167 Glyphs167%20Glyphs167This is a very simple one..."Apollo" is dedicated to the English graphic designer, typographer and art director Neville Brody. A few days ago I read the book "The Graphic Language of Neville Brody" and while creating this font I realized that it looks a bit like a few typefaces he did back in the days.
Hope you like it, write a comment if you have any suggestions!
* = alt.A,   
# = alt.$,  
% = alt.j (less spacing)This%20is%20a%20very%20simple%20one...%22Apollo%22%20is%20dedicated%20to%20the%20English%20graphic%20designer%2C%20typographer%20and%20art%20director%20Neville%20Brody.%20A%20few%20days%20ago%20I%20read%20the%20book%20%22The%20Graphic%20Language%20of%20Neville%20Brody%22%20and%20while%20creating%20this%20font%20I%20realized%20that%20it%20looks%20a%20bit%20like%20a%20few%20typefaces%20he%20did%20back%20in%20the%20days.%0D%0AHope%20you%20like%20it%2C%20write%20a%20comment%20if%20you%20have%20any%20suggestions%21%0D%0A%2A%20%3D%20alt.A%2C%20%20%20%0D%0A%23%20%3D%20alt.%24%2C%20%20%0D%0A%25%20%3D%20alt.j%20%28less%20spacing%29

Alkador Light

 by jinx
  • Currently 6.81587
6.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 06.10.2009
Tags: Alkador, Light, Pixel, Title, Fancy, Exquisite, Classic, Tall, Book, Jinx
Category: -
2 Downloads2%20Downloads21 Comments1%20Comments183 Glyphs83%20Glyphs83...light...light

Bubble Lab EF

 by geneus1This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.13622
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 17 votes
Last edit: 23.06.2009
Tags: Collaboration, Teamwork, Emotion, Sound, Bubble, Pop, Art, Battle Cry, Kix, Wiliaum, Geneus1
Category: Picture/Symbol
574 Downloads574%20Downloads5747 Comments7%20Comments728 Glyphs28%20Glyphs28The continuation of the new and exciting Bubble Lab Collab started by kix and william right  here. 

Comment, sign on, and get your game on over there.

AB -kix
CD -williaum
EF -geneus1

Two battle cries from the Fantastic Four.
E= Battle Cry of the Thing
F= Battle Cry of the Human Torch drawn with old school comic book flame lines.


The%20continuation%20of%20the%20new%20and%20exciting%20Bubble%20Lab%20Collab%20started%20by%20kix%20and%20william%20right%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fbubble_lab%22%3E%20here.%3C%2Fa%3E%20%3Cbr%3E%0D%0A%0D%0AComment%2C%20sign%20on%2C%20and%20get%20your%20game%20on%20over%20there.%0D%0A%3Cbr%3E%0D%0AAB%20-kix%3Cbr%3E%0D%0ACD%20-williaum%3Cbr%3E%0D%0AEF%20-geneus1%3Cbr%3E%0D%0A%3Cbr%3E%0D%0ATwo%20battle%20cries%20from%20the%20Fantastic%20Four.%3Cbr%3E%0D%0AE%3D%20Battle%20Cry%20of%20the%20Thing%3Cbr%3E%0D%0AF%3D%20Battle%20Cry%20of%20the%20Human%20Torch%20drawn%20with%20old%20school%20comic%20book%20flame%20lines.%0D%0A%0D%0A%0D%0A

Dwimire

 by Warak
  • Currently 5.76865
5.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 19.10.2009
Tags: -
Category: -
1 Downloads1%20Downloads153 Glyphs53%20Glyphs53This is my first font. As you can see it's still in progress. I designed it for use in book or paper titles. If you seen need for improvement please let me know and I'll see what I can do. I set the ^ symbol as the Tri-Force. This%20is%20my%20first%20font.%20As%20you%20can%20see%20it%27s%20still%20in%20progress.%20I%20designed%20it%20for%20use%20in%20book%20or%20paper%20titles.%20If%20you%20seen%20need%20for%20improvement%20please%20let%20me%20know%20and%20I%27ll%20see%20what%20I%20can%20do.%20I%20set%20the%20%5E%20symbol%20as%20the%20Tri-Force.%20

Pradell

by TyperepublicFontShop.com
Pradell
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com

1NextNext(41 FontStructions)