The Gallery: Browse and find FontStructions

What’s New

Top Picks

Everything

We found 22 FontStructions matching “Color”. Hide OptionsHide Options

fs Inflate [04] Poof

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.16976
8.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 01.11.2009
Tags: V10, Family, Weights, Tech
Category: Pixel Optimized, Sans Serif, Display
20 Downloads20%20Downloads2015 Comments15%20Comments1543 Glyphs43%20Glyphs43Some fontstructions just come together quickly. The idea was to find a way to achieve pixel-level color manipulation without manually coloring each pixel. Hope you find it entertaining if not useful. --View anTyp's Peteroque for a far superior example of layering and coloring pixels technique.Some%20fontstructions%20just%20come%20together%20quickly.%20The%20idea%20was%20to%20find%20a%20way%20to%20achieve%20pixel-level%20color%20manipulation%20without%20manually%20coloring%20each%20pixel.%20Hope%20you%20find%20it%20entertaining%20if%20not%20useful.%3Cbr%3E%3Cbr%3E%0D%0A--%3Cb%3EView%20anTyp%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F235495%22%3EPeteroque%3C%2Fa%3E%20for%20a%20far%20superior%20example%20of%20layering%20and%20coloring%20pixels%20technique.%3C%2Fb%3E

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Legorama

 by Em42This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.12616
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 47 votes
Last edit: 16.07.2009
Tags: Lego, Brick, Toy, 3d, Shadow, Geometric, Display
Category: Display
790 Downloads790%20Downloads79022 Comments22%20Comments22193 Glyphs193%20Glyphs193FontStruct bricks used to build a font set made of LEGO bricks. Note that "_" can be used to add a blank space six units large, and "^" can be used to add a blank space one unit large. Use Legorama Fill to add a perfectly matching color to the text letters. See the font in use here. FontStruct%20bricks%20used%20to%20build%20a%20font%20set%20made%20of%20%3Ca%20href%3D%22http%3A%2F%2Fwww.lego.com%22%3ELEGO%3C%2Fa%3E%20bricks.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0ANote%20that%20%22_%22%20can%20be%20used%20to%20add%20a%20blank%20space%20six%20units%20large%2C%20and%20%22%5E%22%20can%20be%20used%20to%20add%20a%20blank%20space%20one%20unit%20large.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AUse%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F99748%22%3ELegorama%20Fill%3C%2Fa%3E%20to%20add%20a%20perfectly%20matching%20color%20to%20the%20text%20letters.%20%20%0D%0A%3Cbr%3E%3Cbr%3E%0D%0ASee%20the%20font%20in%20use%20%3Ca%20href%3D%22http%3A%2F%2Fwww.house42.com%2F2008%2F09%2F17%2Flegorama-fontstruct-font%2F%22%3Ehere%3C%2Fa%3E.%0D%0A

Pi}{el Iconi}{

 by Neoqueto
  • Currently 6.55388
6.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 17.09.2009
Tags: Dingbats, Pixel, Icons, Emoticons, Frames, Shapes, Image
Category: -
1 Downloads1%20Downloads11 Comments1%20Comments198 Glyphs98%20Glyphs98Simple pixelated dingbats and emoticons. Contains some emots like ":)" or ":P", a lot of frames, patterned squares, shapes, card suits (Heart, Spade, Club, Diamond), lifestyle icons (eg tv, pizza slice), sex dingbats (female and male sign), vehicles and more. Can be used as well in online chat program, ingame chat, just for design and for other things that I can't imagine. N-joy. UPDATE: There's need to type space between glyphs because no spacing is much more useful fo eg in patterns and frame elements.Simple%20pixelated%20dingbats%20and%20emoticons.%20Contains%20some%20emots%20like%20%22%3A%29%22%20or%20%22%3AP%22%2C%20a%20lot%20of%20frames%2C%20patterned%20squares%2C%20shapes%2C%20card%20suits%20%28Heart%2C%20Spade%2C%20Club%2C%20Diamond%29%2C%20lifestyle%20icons%20%28eg%20tv%2C%20pizza%20slice%29%2C%20sex%20dingbats%20%28female%20and%20male%20sign%29%2C%20vehicles%20and%20more.%20%0D%0A%0D%0ACan%20be%20used%20as%20well%20in%20online%20chat%20program%2C%20ingame%20chat%2C%20just%20for%20design%20and%20for%20other%20things%20that%20I%20can%27t%20imagine.%20%0D%0A%0D%0AN-joy.%20%0D%0A%0D%0A%3Cfont%20color%3D%22red%22%3EUPDATE%3A%3C%2Ffont%3E%0D%0A%0D%0A%3Cb%3EThere%27s%20need%20to%20type%20space%20between%20glyphs%20because%20no%20spacing%20is%20much%20more%20useful%20fo%20eg%20in%20patterns%20and%20frame%20elements.%3C%2Fb%3E

Slink

 by geneus1This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.51733
7.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 30.06.2009
Tags: Josef Albers, Saberrider, Afrojet, Leafy, Stencil, Accidental, Surprise
Category: Display
45 Downloads45%20Downloads4510 Comments10%20Comments1042 Glyphs42%20Glyphs42A tribute to Josef Albers: inadvertently inspired by saberrider and afrojet. This font totally happened by accident. Recently, saberrider created steep, which uses a 2.0 x 1.11 filter setting to smoothly blend the quarter-circle bricks into the triangles. After saberrider created his experimental variable scale fontstruction, it lead me to revisit an abandoned work I did from last year that was done in a similar scale. After getting over the initial disgust of looking at the dismal failure, I started tweaking. Then I decided to tweak the letters instead. It became apparent that I could create a stencil type font that also looked like Josef Alber's font. Coincidentally, Saberrider also has a variation with fontstract, and of course, that Stewf guy has his own family of Leaflets. ;-) Afrojet's sessions came into play in creating some of the letter forms, especially the numerals. The final filter setting became 1.638 x 1.08, which created a nice fusion of the curved and triangular bricks, but was also naturally inclined to necessitate the vertical divide on each glyph. The rest flowed rather easily from there. Here's to more happy accidents. =) The sample is also a tribute to Alber's color theory, showing the names in identical colors, which, when juxtaposed over contrasting colors tricks the eye into thinking the bottom name is darker than the top. The following Josef Albers quote can relate to all things creative, like fontstructing, not just color: "It should be clear by now that our way of studying color does not start with the past - neither with works of the past nor with its theories. As we begin principally with the material, color itself, and its action and interaction as registered in our minds, we practice first and mainly a study of ourselves. Thus, we replace looking backward by looking first at ourselves and our surroundings, and replace retrospection with introspection." - Josef Albers A%20tribute%20to%20Josef%20Albers%3A%20inadvertently%20inspired%20by%20saberrider%20and%20afrojet.%20%0D%0A%0D%0AThis%20font%20totally%20happened%20by%20accident.%20Recently%2C%20saberrider%20created%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F185027%22%3Esteep%2C%3C%2Fa%3E%20which%20uses%20a%202.0%20x%201.11%20filter%20setting%20to%20smoothly%20blend%20the%20quarter-circle%20bricks%20into%20the%20triangles.%20After%20saberrider%20created%20his%20experimental%20variable%20scale%20fontstruction%2C%20it%20lead%20me%20to%20revisit%20an%20abandoned%20work%20I%20did%20from%20last%20year%20that%20was%20done%20in%20a%20similar%20scale.%20After%20getting%20over%20the%20initial%20disgust%20of%20looking%20at%20the%20dismal%20failure%2C%20I%20started%20tweaking.%20Then%20I%20decided%20to%20tweak%20the%20letters%20instead.%20It%20became%20apparent%20that%20I%20could%20create%20a%20stencil%20type%20font%20that%20also%20looked%20like%20%3Ca%20href%3D%22http%3A%2F%2Fwww.p22.com%2Fproducts%2Falbers.html%22%3EJosef%20Alber%27s%20font.%3C%2Fa%3E%20Coincidentally%2C%20Saberrider%20also%20has%20a%20variation%20with%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F90140%22%3Efontstract%2C%3C%2Fa%3E%0D%0Aand%20of%20course%2C%20that%20Stewf%20guy%20has%20his%20own%20family%20of%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Fgallery%2F2%2Fall%2Fhighest_rated%2F0%2Fleaflet%22%3ELeaflets.%3C%2Fa%3E%20%3B-%29%20Afrojet%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F178441%22%3Esessions%3C%2Fa%3E%20came%20into%20play%20in%20creating%20some%20of%20the%20letter%20forms%2C%20especially%20the%20numerals.%20The%20final%20filter%20setting%20became%201.638%20x%201.08%2C%20which%20created%20a%20nice%20fusion%20of%20the%20curved%20and%20triangular%20bricks%2C%20but%20was%20also%20naturally%20inclined%20to%20necessitate%20the%20vertical%20divide%20on%20each%20glyph.%20The%20rest%20flowed%20rather%20easily%20from%20there.%20Here%27s%20to%20more%20happy%20accidents.%20%3D%29%0D%0A%0D%0AThe%20sample%20is%20also%20a%20tribute%20to%20Alber%27s%20color%20theory%2C%20showing%20the%20names%20in%20identical%20colors%2C%20which%2C%20when%20juxtaposed%20over%20contrasting%20colors%20tricks%20the%20eye%20into%20thinking%20the%20bottom%20name%20is%20darker%20than%20the%20top.%0D%0A%0D%0AThe%20following%20Josef%20Albers%20quote%20can%20relate%20to%20all%20things%20creative%2C%20like%20fontstructing%2C%20not%20just%20color%3A%20%0D%0A%3Ci%3E%0D%0A%22It%20should%20be%20clear%20by%20now%20that%20our%20way%20of%20studying%20color%20does%20not%20start%20with%20the%20past%20-%20neither%20with%20works%20of%20the%20past%20nor%20with%20its%20theories.%0D%0A%0D%0AAs%20we%20begin%20principally%20with%20the%20material%2C%20color%20itself%2C%20and%20its%20action%20and%20interaction%20as%20registered%20in%20our%20minds%2C%20we%20practice%20first%20and%20mainly%20a%20study%20of%20ourselves.%0D%0A%0D%0AThus%2C%20we%20replace%20looking%20backward%20by%20looking%20first%20at%20ourselves%20and%20our%20surroundings%2C%20and%20replace%20retrospection%20with%20introspection.%22%0D%0A%3C%2Fi%3E%0D%0A-%20Josef%20Albers%0D%0A

Lovestruc

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.82317
6.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 22.03.2009
Tags: Experimental, Contrast
Category: Display
232 Downloads232%20Downloads2324 Comments4%20Comments447 Glyphs47%20Glyphs47An experimental face focusing on contrasting shapes and color.An%20experimental%20face%20focusing%20on%20contrasting%20shapes%20and%20color.

Legorama Everywhere

 by Em42
  • Currently 6.46738
6.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 11 votes
Last edit: 28.09.2009
Tags: Lego, Brick, Toy, 3d, Shadow, Geometric, Display
Category: Display
92 Downloads92%20Downloads9210 Comments10%20Comments10193 Glyphs193%20Glyphs193FontStruct bricks used to build a font set made of LEGO bricks plugged on a baseplate. Note that "_" can be used to add a blank baseplate six units large, and "^" can be used to add a blank baseplate one unit large. Use Legorama Everywhere Fill to add a perfectly matching color to the text letters. See the font in use here.FontStruct%20bricks%20used%20to%20build%20a%20font%20set%20made%20of%20%3Ca%20href%3D%22http%3A%2F%2Fwww.lego.com%22%3ELEGO%3C%2Fa%3E%20bricks%20plugged%20on%20a%20baseplate.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0ANote%20that%20%22_%22%20can%20be%20used%20to%20add%20a%20blank%20baseplate%20six%20units%20large%2C%20and%20%22%5E%22%20can%20be%20used%20to%20add%20a%20blank%20baseplate%20one%20unit%20large.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AUse%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F99147%22%3ELegorama%20Everywhere%20Fill%3C%2Fa%3E%20to%20add%20a%20perfectly%20matching%20color%20to%20the%20text%20letters.%20%20%0D%0A%3Cbr%3E%3Cbr%3E%0D%0ASee%20the%20font%20in%20use%20%3Ca%20href%3D%22http%3A%2F%2Fwww.house42.com%2F2008%2F09%2F17%2Flegorama-fontstruct-font%2F%22%3Ehere%3C%2Fa%3E.

DMP-200 RS

 by Goatmeal
  • Currently 6.09592
6.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 24.04.2009
Tags: Dot, Matrix, Radio, Shack
Category: -
8 Downloads8%20Downloads8204 Glyphs204%20Glyphs204Bring back some dot matrix-y goodness to your printed documents with DMP-200 RS! Based on the output of the Radio Shack DMP-200 printer, DMP-200 RS is a sans-serif fixed-width Dot Matrix Printer typeface from the early 1980s. The DMP-200 was used with the TRS-80 Color Computer and other fine Tandy computers. I originally made this an 8×8 font, but upon closer inspection of the finished products under a magnifying lense, it was discovered that the pin-strikes on the horizontal were much, much closer together than the vertical; thus, it was changed to a 16×16 for a better replication. Plus, that allowed me to place dots '1/2-way' between the 'main' gridlines... Most non-alphanumeric and More Latin characters have been created to match the original style. Enjoy, and I look forward to your feedback!Bring%20back%20some%20dot%20matrix-y%20goodness%20to%20your%20printed%20documents%20with%20DMP-200%20RS%21%0D%0A%0D%0ABased%20on%20the%20output%20of%20the%20Radio%20Shack%20DMP-200%20printer%2C%20DMP-200%20RS%20is%20a%20sans-serif%20fixed-width%20Dot%20Matrix%20Printer%20typeface%20from%20the%20early%201980s.%20%20The%20DMP-200%20was%20used%20with%20the%20TRS-80%20Color%20Computer%20and%20other%20fine%20Tandy%20computers.%0D%0A%0D%0AI%20originally%20made%20this%20an%208%C3%978%20font%2C%20but%20upon%20closer%20inspection%20of%20the%20finished%20products%20under%20a%20magnifying%20lense%2C%20it%20was%20discovered%20that%20the%20pin-strikes%20on%20the%20horizontal%20were%20much%2C%20much%20closer%20together%20than%20the%20vertical%3B%20thus%2C%20it%20was%20changed%20to%20a%2016%C3%9716%20for%20a%20better%20replication.%20%20Plus%2C%20that%20allowed%20me%20to%20place%20dots%20%271%2F2-way%27%20between%20the%20%27main%27%20gridlines...%0D%0A%0D%0AMost%20non-alphanumeric%20and%20More%20Latin%20characters%20have%20been%20created%20to%20match%20the%20original%20style.%0D%0A%0D%0AEnjoy%2C%20and%20I%20look%20forward%20to%20your%20feedback%21

Eclat Weave

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.29964
6.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 22.06.2009
Tags: Eclat, Weave, Textile, Pattern, Albers, Knoll, Dwr
Category: Picture/Symbol
136 Downloads136%20Downloads1367 Comments7%20Comments726 Glyphs26%20Glyphs26Just a fun one I did last night while watching tennis and reading the latest DWR catalog (see page 72). This is a pattern Fontstruction based entirely on the Anni Albers textile pattern of the same name. "Anni Albers began a three decades long collaboration with the internationally recognized design company Knoll in 1951. During the course of this partnership, Knoll released five of Anni's designs: Track, Rail, Lattice, Jhet and Eclat. Originally designed in 1974 as an upholstery pattern, Anni Albers' Eclat, was first produced printed on a cotton/ linen ground in various scales and color combinations. Reintroduction into the market as part of Knoll's 60th anniversary archival collection celebration in June 2007, Eclat, renamed Eclat Weave, is now produced as a woven, rather than printed, upholstery." - text taken from The Josef and Anni Albers Foundation website. See also: Knoll and Design Within Reach Just%20a%20fun%20one%20I%20did%20last%20night%20while%20watching%20tennis%20and%20reading%20the%20latest%20DWR%20catalog%20%28see%20page%2072%29.%20This%20is%20a%20pattern%20Fontstruction%20based%20entirely%20on%20the%20Anni%20Albers%20textile%20pattern%20of%20the%20same%20name.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%22Anni%20Albers%20began%20a%20three%20decades%20long%20collaboration%20with%20the%20internationally%20recognized%20design%20company%20Knoll%20in%201951.%20During%20the%20course%20of%20this%20partnership%2C%20Knoll%20released%20five%20of%20Anni%27s%20designs%3A%20Track%2C%20Rail%2C%20Lattice%2C%20Jhet%20and%20Eclat.%20Originally%20designed%20in%201974%20as%20an%20upholstery%20pattern%2C%20Anni%20Albers%27%20Eclat%2C%20was%20first%20produced%20printed%20on%20a%20cotton%2F%20linen%20ground%20in%20various%20scales%20and%20color%20combinations.%20Reintroduction%20into%20the%20market%20as%20part%20of%20Knoll%27s%2060th%20anniversary%20archival%20collection%20celebration%20in%20June%202007%2C%20Eclat%2C%20renamed%20Eclat%20Weave%2C%20is%20now%20produced%20as%20a%20woven%2C%20rather%20than%20printed%2C%20upholstery.%22%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A-%20text%20taken%20from%20%3Ca%20href%3D%22http%3A%2F%2Fwww.albersfoundation.org%2F%22%3EThe%20Josef%20and%20Anni%20Albers%20Foundation%3C%2Fa%3E%20website.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASee%20also%3A%20%3Ca%20href%3D%22http%3A%2F%2Fwww.knoll.com%2Fproducts%2Ftextileproduct.jsp%3Fprod_id%3D1104%26flag%3Dcat%26cat_id%3D201%22%3EKnoll%3C%2Fa%3E%20and%20%3Ca%20href%3D%22http%3A%2F%2Fwww.dwr.com%2Fproduct%2Fclassics%2Fsaarinen-tulip-armless-chair-vinyl.do%22%3EDesign%20Within%20Reach%3C%2Fa%3E%20

canned heat

 by kixThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.32149
6.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.6%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 16.06.2009
Tags: Graffiti, Fun, Icons, Pictures, Style, Symbol, Streetart, Urban, Can, Bombing, Fatcap, Dose, Cap, Font, Addiction, Color, Spray Can, Free
Category: Picture/Symbol
58 Downloads58%20Downloads582 Comments2%20Comments226 Glyphs26%20Glyphs26hi there. i'm into graffiti for about 16 years now. my hommage to one of the best inventions ever been made! cans! have fun!hi%20there.%0D%0Ai%27m%20into%20graffiti%20for%20about%2016%20years%20now.%20my%20hommage%20to%20one%20of%20the%20best%20inventions%20ever%20been%20made%21%0D%0A%0D%0Acans%21%0D%0A%0D%0Ahave%20fun%21

Tempera Rose Pro

by TyponineFontShop.com
Tempera Rose Pro
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
1
2
3
NextNext(22 FontStructions)