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We found 11 FontStructions matching “Element”. Hide OptionsHide Options

BoronoMono

 by fontcollector
  • Currently 6.16779
6.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 28.07.2008
Tags: Monospaced, Rectagular, Plain
Category: -
8 Downloads8%20Downloads8154 Glyphs154%20Glyphs154Similar to MonotonoMono, this font's name has nothing to do with the chemical element. Let's just say it's not the most exciting typeface you've ever seen.Similar%20to%20MonotonoMono%2C%20this%20font%27s%20name%20has%20nothing%20to%20do%20with%20the%20chemical%20element.%20%20Let%27s%20just%20say%20it%27s%20not%20the%20most%20exciting%20typeface%20you%27ve%20ever%20seen.

Particle

 by Carpickle
  • Currently 6.21351
6.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 23.10.2009
Tags: Decay, Scifi, One Brick, Sans Serif, Crumble, Breakdown, Element, Particle
Category: -
1 Downloads1%20Downloads12 Comments2%20Comments226 Glyphs26%20Glyphs26This font looks like it's disintigrating right before your eyes.This%20font%20looks%20like%20it%27s%20disintigrating%20right%20before%20your%20eyes.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

fs chunk-chip

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.23862
7.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 25 votes
Last edit: 23.11.2009
Tags: V10, Blocky, Heavy
Category: Display
136 Downloads136%20Downloads13616 Comments16%20Comments1657 Glyphs57%20Glyphs57I've been seeing a lot of almost-completely-filled-blocks-with-chips-in-them kind of fonts lately. Quite well promoted too. I find most of them to be illegible. No matter what someone says about style and movement and period, to me, type exist to communicate, and legibility is the keystone of that functionality. If I can't decipher the glyph as a letter in a fraction of a second, the typeface has failed, no matter how beautiful it might be to look at as a graphic element. This is what I have tried to do here: taken a current trend and tried to make a legible typeface, staying within the parameters of said style. Most glyphs are quite legible but some are not, like s v w 0 8 9 & etc. I have failed as well.   Plus I am not happy with the consistency—or lack thereof—either. It bothers me that the inside chips had to be rotated from character to character or move them about here and there. I did the uppercase as well...then deleted them all because I just couldn't resolve the similarity between H and N. I may have to find a less ______* new hobby.* stationary? senatory? Sitting around idle. What's the word am I looking for, intaglio?I%27ve%20been%20seeing%20a%20lot%20of%20almost-completely-filled-blocks-with-chips-in-them%20kind%20of%20fonts%20lately.%20Quite%20well%20promoted%20too.%20I%20find%20most%20of%20them%20to%20be%20illegible.%20No%20matter%20what%20someone%20says%20about%20style%20and%20movement%20and%20period%2C%20to%20me%2C%20type%20exist%20to%20communicate%2C%20and%20legibility%20is%20the%20keystone%20of%20that%20functionality.%20If%20I%20can%27t%20decipher%20the%20glyph%20as%20a%20letter%20in%20a%20fraction%20of%20a%20second%2C%20the%20typeface%20has%20failed%2C%20no%20matter%20how%20beautiful%20it%20might%20be%20to%20look%20at%20as%20a%20graphic%20element.%20This%20is%20what%20I%20have%20tried%20to%20do%20here%3A%20taken%20a%20current%20trend%20and%20tried%20to%20make%20a%20legible%20typeface%2C%20staying%20within%20the%20parameters%20of%20said%20style.%20Most%20glyphs%20are%20quite%20legible%20but%20some%20are%20not%2C%20like%20s%20v%20w%200%208%209%20%26%20etc.%20I%20have%20failed%20as%20well.%3Cbr%3E%26nbsp%3B%26nbsp%3B%26nbsp%3BPlus%20I%20am%20not%20happy%20with%20the%20consistency%26mdash%3Bor%20lack%20thereof%26mdash%3Beither.%20It%20bothers%20me%20that%20the%20inside%20chips%20had%20to%20be%20rotated%20from%20character%20to%20character%20or%20move%20them%20about%20here%20and%20there.%20I%20did%20the%20uppercase%20as%20well...then%20deleted%20them%20all%20because%20I%20just%20couldn%27t%20resolve%20the%20similarity%20between%20H%20and%20N.%20I%20may%20have%20to%20find%20a%20less%20______%2A%20new%20hobby.%3Cbr%3E%3Cbr%3E%2A%20stationary%3F%20senatory%3F%20Sitting%20around%20idle.%20What%27s%20the%20word%20am%20I%20looking%20for%2C%20intaglio%3F

Criss Cross

 by Magic Sam
  • Currently 6.72303
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 01.10.2009
Tags: Cross, Display, Pixel, Funny, Spider, Criss, Magicsam, Magic, Sam, Filter, Modern, Geometric
Category: Display
7 Downloads7%20Downloads76 Comments6%20Comments6107 Glyphs107%20Glyphs107The Cross-spider-Font! Another Filter-Fontstruction (1.7). The intention was to create a modern, geometric headline-font with a unique touch. At the beginning only a few letters (like A, D, O) had the cross on them, but then I decided to use this element for the whole font. Hope you like it, take a look at the example. Please write a comment if you have any suggestions!The%20Cross-spider-Font%21%20Another%20Filter-Fontstruction%20%281.7%29.%20The%20intention%20was%20to%20create%20a%20modern%2C%20geometric%20headline-font%20with%20a%20unique%20touch.%20At%20the%20beginning%20only%20a%20few%20letters%20%28like%20A%2C%20D%2C%20O%29%20had%20the%20cross%20on%20them%2C%20but%20then%20I%20decided%20to%20use%20this%20element%20for%20the%20whole%20font.%0D%0AHope%20you%20like%20it%2C%20take%20a%20look%20at%20the%20example.%20Please%20write%20a%20comment%20if%20you%20have%20any%20suggestions%21

Boxy 2

 by marksimThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.08853
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 48 votes
Last edit: 22.06.2009
Tags: -
Category: Display
903 Downloads903%20Downloads9032 Comments2%20Comments264 Glyphs64%20Glyphs64This is another one of my modular alphabets from my college days (c. 1975). This one uses a larger grid space than the Boxy 1 and introduces a curved element that can be used on the NE or SW corners. Otherwise it follows similar rules.This%20is%20another%20one%20of%20my%20modular%20alphabets%20from%20my%20college%20days%20%28c.%201975%29.%20This%20one%20uses%20a%20larger%20grid%20space%20than%20the%20Boxy%201%20and%20introduces%20a%20curved%20element%20that%20can%20be%20used%20on%20the%20NE%20or%20SW%20corners.%20Otherwise%20it%20follows%20similar%20rules.

Lonely Elements

 by TheGiggleFace
  • Currently 5.41764
5.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 02.02.2009
Tags: -
Category: -
6 Downloads6%20Downloads61 Comments1%20Comments126 Glyphs26%20Glyphs26Built using a single element for each letter.Built%20using%20a%20single%20element%20for%20each%20letter.

KryptonoMono

 by fontcollector
  • Currently 5.19481
5.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E5.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 25.11.2008
Tags: Monospaced, Rounded
Category: Sans Serif
15 Downloads15%20Downloads15154 Glyphs154%20Glyphs154This typeface has no connection to the chemical element or to alien superheroes, except that monospaced fonts, especially those with rhyming names, are my weakness.This%20typeface%20has%20no%20connection%20to%20the%20chemical%20element%20or%20to%20alien%20superheroes%2C%20except%20that%20monospaced%20fonts%2C%20especially%20those%20with%20rhyming%20names%2C%20are%20my%20weakness.

Odin

 by troeding
  • Currently 5.03706
5.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E4.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 17.10.2008
Tags: Serif, Sans Serif, Russian, Odin, Bold, Chuncky, Bulky
Category: -
8 Downloads8%20Downloads826 Glyphs26%20Glyphs26Odin (один) is the Russian world for ‘singular’ or ‘one’ and translates to mean ‘the originality of an element that has no predecessor’ or ‘is alone in it’s kind.’ The typeface Odin represents this idea in a two-fold manner. First, the typeface has a single serif per letter. Instead of ornamenting each character with multiple serifs, a single serif is used to highlight a dominate feature in the form. Secondly, the idea of only one serif on a character is unique to the serif style of lettering. The name ‘Odin’ represents the strong Russian influence in the letter styles. With the thick, chunky aesthetics reminiscent of woodcuts, and the strong planar shifts, the aggressive nature that the Russian style is known for is depicted here. This typeface is best used for headline type because it draws attention and authority to whatever it is saying. The weight of each form also allows for an intensive use of color if so desired. The typeface can also be versatile in it’s nature. If used more sparingly, it can create a quieter, humbler tone.Odin%20%28%D0%BE%D0%B4%D0%B8%D0%BD%29%20is%20the%20Russian%20world%20for%20%E2%80%98singular%E2%80%99%20or%20%E2%80%98one%E2%80%99%20and%20translates%20to%20mean%20%E2%80%98the%20originality%20of%20an%20element%20that%0D%0Ahas%20no%20predecessor%E2%80%99%20or%20%E2%80%98is%20alone%20in%20it%E2%80%99s%20kind.%E2%80%99%20The%20typeface%20Odin%20represents%20this%20idea%20in%20a%20two-fold%20manner.%20First%2C%20the%0D%0Atypeface%20has%20a%20single%20serif%20per%20letter.%20Instead%20of%20ornamenting%20each%20character%20with%20multiple%20serifs%2C%20a%20single%20serif%20is%0D%0Aused%20to%20highlight%20a%20dominate%20feature%20in%20the%20form.%20Secondly%2C%20the%20idea%20of%20only%20one%20serif%20on%20a%20character%20is%20unique%20to%0D%0Athe%20serif%20style%20of%20lettering.%0D%0A%0D%0AThe%20name%20%E2%80%98Odin%E2%80%99%20represents%20the%20strong%20Russian%20influence%20in%20the%20letter%20styles.%20With%20the%20thick%2C%20chunky%20aesthetics%0D%0Areminiscent%20of%20woodcuts%2C%20and%20the%20strong%20planar%20shifts%2C%20the%20aggressive%20nature%20that%20the%20Russian%20style%20is%20known%20for%20is%0D%0Adepicted%20here.%0D%0A%0D%0AThis%20typeface%20is%20best%20used%20for%20headline%20type%20because%20it%20draws%20attention%20and%20authority%20to%20whatever%20it%20is%20saying.%20The%0D%0Aweight%20of%20each%20form%20also%20allows%20for%20an%20intensive%20use%20of%20color%20if%20so%20desired.%20The%20typeface%20can%20also%20be%20versatile%20in%20it%E2%80%99s%0D%0Anature.%20If%20used%20more%20sparingly%2C%20it%20can%20create%20a%20quieter%2C%20humbler%20tone.

Raster Disaster

 by hmaon
  • Currently 4.56381
4.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E4.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E3.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 11.05.2008
Tags: Cyrillic
Category: Display
6 Downloads6%20Downloads6101 Glyphs101%20Glyphs101This is a very blocky font drawn using only one half-brick-looking element. Caps only, includes Russian Cyrillic.This%20is%20a%20very%20blocky%20font%20drawn%20using%20only%20one%20half-brick-looking%20element.%20Caps%20only%2C%20includes%20Russian%20Cyrillic.

Carmen

by TyperepublicFontShop.com
Carmen
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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