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Bat Country

 by loboarchesThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 9.02009
9.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 23 votes
Last edit: 16.11.2009
Tags: Uwe, Chaos, Ink, Splat, Fear And Loathing, Bat Country, Ralph Steadman Laurie
Category: Display
39 Downloads39%20Downloads3923 Comments23%20Comments2355 Glyphs55%20Glyphs55I made this for my UWE graphic design first year project "communicating with words". I created this inspired by influences from Ralph steadman and Jackson pollock using the concept of inconsistansy and randomized mark making with ink. the name is derived from a quote from the book "fear and loathing in las vagas". I designed it by firstly creating the text with a pot of ink and the back side of a biro pen, then from that i drew them by hand onto A4 sheets of graph paper limitating each line to only 4 given angles, then finally transfering that onto fontstruct wich took roughly 30-40mins per letter. Enjoy!I%20made%20this%20for%20my%20UWE%20graphic%20design%20first%20year%20project%20%22communicating%20with%20words%22.%20I%20created%20this%20inspired%20by%20influences%20from%20Ralph%20steadman%20and%20Jackson%20pollock%20using%20the%20concept%20of%20inconsistansy%20and%20randomized%20mark%20making%20with%20ink.%20the%20name%20is%20derived%20from%20a%20quote%20from%20the%20book%20%22fear%20and%20loathing%20in%20las%20vagas%22.%20%0D%0AI%20designed%20it%20by%20firstly%20creating%20the%20text%20with%20a%20pot%20of%20ink%20and%20the%20back%20side%20of%20a%20biro%20pen%2C%20then%20from%20that%20i%20drew%20them%20by%20hand%20onto%20A4%20sheets%20of%20graph%20paper%20limitating%20each%20line%20to%20only%204%20given%20angles%2C%20then%20finally%20transfering%20that%20onto%20fontstruct%20wich%20took%20roughly%2030-40mins%20per%20letter.%20%0D%0AEnjoy%21

Decay of TNR

 by blandsdf
  • Currently 8.54043
8.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.6%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 09.11.2009
Tags: Uwe, Decay, Times New Roman, Tnr, Bugs
Category: -
10 Comments10%20Comments1027 Glyphs27%20Glyphs27I began by exploring the theme of decaying objects, such as fruit, and studied the shape (and change of shape) of the objects, as they progressivly fell apart. By creating hand drawn sketches i began to create a typeface that looked as though it was rotting/melting away. I used a traditional typeface, Times New Roman, that could be considered as quite boring and a font which has been around for a long time and then used it as a base font which i then made to look as though it was rotting and falling apart by refering back to my earlier sketches. Overall I aimed to create a typeface that represents the decay of an older, more traditional and perhaps overused typeface.I%20began%20by%20exploring%20the%20theme%20of%20decaying%20objects%2C%20such%20as%20fruit%2C%20and%20studied%20the%20shape%20%28and%20change%20of%20shape%29%20of%20the%20objects%2C%20as%20they%20progressivly%20fell%20apart.%20By%20creating%20hand%20drawn%20sketches%20i%20began%20to%20create%20a%20typeface%20that%20looked%20as%20though%20it%20was%20rotting%2Fmelting%20away.%20I%20used%20a%20traditional%20typeface%2C%20Times%20New%20Roman%2C%20that%20could%20be%20considered%20as%20quite%20boring%20and%20a%20font%20which%20has%20been%20around%20for%20a%20long%20time%20and%20then%20used%20it%20as%20a%20base%20font%20which%20i%20then%20made%20to%20look%20as%20though%20it%20was%20rotting%20and%20falling%20apart%20by%20refering%20back%20to%20my%20earlier%20sketches.%20Overall%20I%20aimed%20to%20create%20a%20typeface%20that%20represents%20the%20decay%20of%20an%20older%2C%20more%20traditional%20and%20perhaps%20overused%20typeface.

Signature

 by adnewall
  • Currently 7.18057
7.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 01.10.2009
Tags: -
Category: -
2 Downloads2%20Downloads22 Comments2%20Comments226 Glyphs26%20Glyphs26My hand written capsMy%20hand%20written%20caps

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

RM Ameslan (ASL) Fingerspell

 by p2pnutThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.19277
8.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 20 votes
Last edit: 15.08.2009
Tags: Ameslan, Asl, American Sign Language, Deaf, Teaching Aid, P2pnut
Category: Picture/Symbol
24 Downloads24%20Downloads2415 Comments15%20Comments1537 Glyphs37%20Glyphs37ASL is not a written language, but this font should, hopefully, assist anyone wishing to learn ASL. The following is a quote from Wikipedia: "American Sign Language (or ASL, Ameslan) is the dominant sign language of the Deaf community in the United States, in the English-speaking parts of Canada, and in some regions of Mexico. Although the United Kingdom and the United States share English as a spoken and written language, British Sign Language (BSL) is quite different from ASL, and the two sign languages are not mutually intelligible ASL is often written with English words in all capital letters, which is known as glossing. This is, however, a method used simply to teach the structure of the language. ASL is a visual language, not a written language. There is no one-to-one correspondence between words in ASL and English, and much of the inflectional modulation of ASL signs is lost. There are two true writing systems in use for ASL: a phonemic Stokoe notation, which has a separate symbol or diacritic mark for every phonemic hand shape, motion, and position (though it leaves something to be desired in the representation of facial expression), and a more popular iconic system called SignWriting, which represents each sign with a rather abstract illustration of its salient features. SignWriting is commonly used for student newsletters and similar purposes." http://en.wikipedia.org/wiki/American_Sign_LanguageASL%20is%20not%20a%20written%20language%2C%20but%20this%20font%20should%2C%20hopefully%2C%20assist%20anyone%20wishing%20to%20learn%20ASL.%0D%0A%0D%0AThe%20following%20is%20a%20quote%20from%20Wikipedia%3A%0D%0A%0D%0A%22American%20Sign%20Language%20%28or%20ASL%2C%20Ameslan%29%20is%20the%20dominant%20sign%20language%20of%20the%20Deaf%20community%20in%20the%20United%20States%2C%20in%20the%20%0D%0A%0D%0AEnglish-speaking%20parts%20of%20Canada%2C%20and%20in%20some%20regions%20of%20Mexico.%20Although%20the%20United%20Kingdom%20and%20the%20United%20States%20share%20English%20as%20a%20%0D%0A%0D%0Aspoken%20and%20written%20language%2C%20British%20Sign%20Language%20%28BSL%29%20is%20quite%20different%20from%20ASL%2C%20and%20the%20two%20sign%20languages%20are%20not%20mutually%20%0D%0A%0D%0Aintelligible%0D%0A%0D%0AASL%20is%20often%20written%20with%20English%20words%20in%20all%20capital%20letters%2C%20which%20is%20known%20as%20glossing.%20This%20is%2C%20however%2C%20a%20method%20used%20simply%20to%20teach%20%0D%0A%0D%0Athe%20structure%20of%20the%20language.%20ASL%20is%20a%20visual%20language%2C%20not%20a%20written%20language.%20There%20is%20no%20one-to-one%20correspondence%20between%20words%20in%20%0D%0A%0D%0AASL%20and%20English%2C%20and%20much%20of%20the%20inflectional%20modulation%20of%20ASL%20signs%20is%20lost.%0D%0A%0D%0AThere%20are%20two%20true%20writing%20systems%20in%20use%20for%20ASL%3A%20a%20phonemic%20Stokoe%20notation%2C%20which%20has%20a%20separate%20symbol%20or%20diacritic%20mark%20for%20every%20%0D%0A%0D%0Aphonemic%20hand%20shape%2C%20motion%2C%20and%20position%20%28though%20it%20leaves%20something%20to%20be%20desired%20in%20the%20representation%20of%20facial%20expression%29%2C%20and%20a%20more%20%0D%0A%0D%0Apopular%20iconic%20system%20called%20SignWriting%2C%20which%20represents%20each%20sign%20with%20a%20rather%20abstract%20illustration%20of%20its%20salient%20features.%20SignWriting%20is%20%0D%0A%0D%0Acommonly%20used%20for%20student%20newsletters%20and%20similar%20purposes.%22%0D%0A%0D%0Ahttp%3A%2F%2Fen.wikipedia.org%2Fwiki%2FAmerican_Sign_Language

Mallard Smooth

 by gid
  • Currently 6.74861
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 07.09.2009
Tags: Teletext, Bbc Micro, Beeb, Bbc, Acorn, Mode 7, 8bit, Monospace, Monospaced
Category: -
5 Downloads5%20Downloads53 Comments3%20Comments3113 Glyphs113%20Glyphs113Based on the output from the Mullard SAA5050 teletext character generator as used in the venerable BBC Microcomputer's "MODE 7". Smoothed out by hand: not as authentic as Mallard Blocky, but maybe a little more usableBased%20on%20the%20output%20from%20the%20Mullard%20SAA5050%20teletext%20character%20generator%20as%20used%20in%20the%20venerable%20BBC%20Microcomputer%27s%20%22MODE%207%22.%20Smoothed%20out%20by%20hand%3A%20not%20as%20authentic%20as%20Mallard%20Blocky%2C%20but%20maybe%20a%20little%20more%20usable

Vibrating typeface

 by kanu_jindal
  • Currently 6.99185
7.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 07.11.2009
Tags: -
Category: -
4 Downloads4%20Downloads42 Comments2%20Comments270 Glyphs70%20Glyphs70The aim that i was heading for throughout developing my typeface was an energetic, moving and vibrating looking typeface with much expression within. To begin with, I used the hand-rendered approach for designing, I also experimented before creating my final typeface by moving hand-rendered letters on paper and photographing this movement. Experimental approaches before hand gave me a good feel for how I wanted my final typeface to look. I was inspired throughout my development by heat, light and power. These forms of energy all gave me determination because I hoped for a very energetic outcome! I feel that my final typeface shows energy and vibration which is what I had hoped for. This font is deficting vibrating energy.!The%20aim%20that%20i%20was%20heading%20for%20throughout%20developing%20my%20typeface%20was%20an%20energetic%2C%20moving%20and%20vibrating%20looking%20typeface%20with%20much%20expression%20within.%20To%20begin%20with%2C%20I%20used%20the%20hand-rendered%20approach%20for%20designing%2C%20I%20also%20experimented%20before%20creating%20my%20final%20typeface%20by%20moving%20hand-rendered%20letters%20on%20paper%20and%20photographing%20this%20movement.%20Experimental%20approaches%20before%20hand%20gave%20me%20a%20good%20feel%20for%20how%20I%20wanted%20my%20final%20typeface%20to%20look.%0D%0AI%20was%20inspired%20throughout%20my%20development%20by%20heat%2C%20light%20and%20power.%20These%20forms%20of%20energy%20all%20gave%20me%20determination%20because%20I%20hoped%20for%20a%20very%20energetic%20outcome%21%0D%0AI%20feel%20that%20my%20final%20typeface%20shows%20energy%20and%20vibration%20which%20is%20what%20I%20had%20hoped%20for.%20This%20font%20is%20deficting%20vibrating%20energy.%21

Becker Large

 by gingerbeardman
  • Currently 7.0703
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 16.10.2009
Tags: Becker, Cascade, Traffic, Pro, Sat, Nav, Pixel, Bitmap, Oled, Led, Sans, Display, Bold
Category: -
1 Downloads1%20Downloads115 Comments15%20Comments15196 Glyphs196%20Glyphs196One of the fonts used on the Becker Cascade in-car satellite navigation system. This is the large font mainly used in media mode for song name display. Original font remains © Harman Becker Automotive Systems GmbH. Redrawn by hand/eye. I've created characters that I had reference material for and created my own variations of characters that can be deduced from the rest of the set.One%20of%20the%20fonts%20used%20on%20the%20Becker%20Cascade%20in-car%20satellite%20navigation%20system.%20This%20is%20the%20large%20font%20mainly%20used%20in%20media%20mode%20for%20song%20name%20display.%20Original%20font%20remains%20%C2%A9%20Harman%20Becker%20Automotive%20Systems%20GmbH.%0D%0A%0D%0ARedrawn%20by%20hand%2Feye.%20I%27ve%20created%20characters%20that%20I%20had%20reference%20material%20for%20and%20created%20my%20own%20variations%20of%20characters%20that%20can%20be%20deduced%20from%20the%20rest%20of%20the%20set.

fs Broken

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.36278
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 15 votes
Last edit: 05.09.2009
Tags: Pixel, Hand, Careful, Writing, Extended, Diacritics
Category: Pixel Optimized
13 Downloads13%20Downloads1310 Comments10%20Comments10186 Glyphs186%20Glyphs186PXL it.PXL%20it.

Unexamined Zipper

 by fugitiveglue
  • Currently 6.77631
6.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 08.11.2009
Tags: Vibrating, Cross Stitch, Needlepoint, Embroidery, Zipper, Digital, Low Resolution, Condensed, Semiserif, Single Brick
Category: -
4 Downloads4%20Downloads44 Comments4%20Comments499 Glyphs99%20Glyphs99Created with a single “brick”. Quite legible as body text in smaller sizes. Loud, vibrating patterns in larger sizes. Due to small module size, some hand kerning will likely be desired. It's my first attempt, and I'd like to rebuild it at a larger size in order to get more control over character width and spacing.Created%20with%20a%20single%20%E2%80%9Cbrick%E2%80%9D.%20Quite%20legible%20as%20body%20text%20in%20smaller%20sizes.%20Loud%2C%20vibrating%20patterns%20in%20larger%20sizes.%20Due%20to%20small%20module%20size%2C%20some%20hand%20kerning%20will%20likely%20be%20desired.%20It%27s%20my%20first%20attempt%2C%20and%20I%27d%20like%20to%20rebuild%20it%20at%20a%20larger%20size%20in%20order%20to%20get%20more%20control%20over%20character%20width%20and%20spacing.

Pradell

by TyperepublicFontShop.com
Pradell
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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