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We found 69 FontStructions matching “I”. Hide OptionsHide Options

Starfokker ~ lc suggestions

 by will.i.ૐ
  • Currently 6.40493
6.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Cloned from Starflyer SerifCloned from Starflyer Serif
Last edit: 16.10.2009
Tags: -
Category: -
2 Downloads2%20Downloads21 Comments1%20Comments156 Glyphs56%20Glyphs56Clone of Starflyer Demo 1 ~ Lowercase suggestions. J, W and Z and font-wide letter spacing and character metrics adjusted. Pay special attention to the stroke contrast on the z, x, w, and s. If contrast is too low (or the thick stroke too thin), the lc will appear too dark or too light next to the caps, creating a disharmonious affect. Alternate as included in the more latin Unicode zone. Good work, Simon! You’re almost there! :^)Clone%20of%20Starflyer%20Demo%201%20%7E%20Lowercase%20suggestions.%20%0D%0A%3Cbr%3E%3Cbr%3E%0D%0A%3Ci%3EJ%3C%2Fi%3E%2C%20%3Ci%3EW%3C%2Fi%3E%20and%20%3Ci%3EZ%3C%2Fi%3E%20and%20font-wide%20letter%20spacing%20and%20character%20metrics%20adjusted.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0APay%20special%20attention%20to%20the%20stroke%20contrast%20on%20the%20%3Ci%3Ez%3C%2Fi%3E%2C%20%3Ci%3Ex%3C%2Fi%3E%2C%20%3Ci%3Ew%3C%2Fi%3E%2C%20and%20%3Ci%3Es%3C%2Fi%3E.%20If%20contrast%20is%20too%20low%20%28or%20the%20thick%20stroke%20too%20thin%29%2C%20the%20lc%20will%20appear%20too%20dark%20or%20too%20light%20next%20to%20the%20caps%2C%20creating%20a%20disharmonious%20affect.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AAlternate%20%3Ci%3Ea%3C%2Fi%3Es%20included%20in%20the%20more%20latin%20Unicode%20zone.%0D%0A%0D%0AGood%20work%2C%20Simon%21%20You%E2%80%99re%20almost%20there%21%0D%0A%0D%0A%3A%5E%29

Slubscript

 by will.i.ૐThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.41172
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Cloned from slubgobCloned from slubgob
Last edit: 22.11.2009
Tags: Clone, Collaboration, Open Source, Script
Category: Script
5 Downloads5%20Downloads512 Comments12%20Comments12100 Glyphs100%20Glyphs100Clone of slubgob. I saw some stringy potential dyed in the wool of intaglio’s original and tried to draw it out. First I added one brick to the x-height; second I added little connecting, er, nubs for a very tightly spaced continuous script. From there, I was basically done, but then had very little restraint and took it to this point, which is now sort of a mishmash of styles (let’s just go ahead and rule out all caps settings right here and now ;) I am hoping one of y’all fontstructors will chime in with the next version that really knits the job up all nice like! Or, barring that, I will try to tighten it up and continue to defer all praise to intaglio.Clone%20of%20slubgob.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AI%20saw%20some%20stringy%20potential%20dyed%20in%20the%20wool%20of%20intaglio%E2%80%99s%20original%20and%20tried%20to%20draw%20it%20out.%20First%20I%20added%20one%20brick%20to%20the%20x-height%3B%20second%20I%20added%20little%20connecting%2C%20er%2C%20nubs%20for%20a%20very%20tightly%20spaced%20continuous%20script.%20From%20there%2C%20I%20was%20basically%20done%2C%20but%20then%20had%20very%20little%20restraint%20and%20took%20it%20to%20this%20point%2C%20which%20is%20now%20sort%20of%20a%20mishmash%20of%20styles%20%28let%E2%80%99s%20just%20go%20ahead%20and%20rule%20out%20all%20caps%20settings%20right%20here%20and%20now%20%3B%29%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AI%20am%20hoping%20one%20of%20y%E2%80%99all%20fontstructors%20will%20chime%20in%20with%20the%20next%20version%20that%20really%20knits%20the%20job%20up%20all%20nice%20like%21%20Or%2C%20barring%20that%2C%20I%20will%20try%20to%20tighten%20it%20up%20and%20continue%20to%20defer%20all%20praise%20to%20intaglio.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

fs The I

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.59694
8.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 54 votes
Last edit: 24.06.2009
Tags: V10, Shadow, Slant
Category: Display
782 Downloads782%20Downloads78227 Comments27%20Comments2739 Glyphs39%20Glyphs39Lay The I Flat on top of this to fill in the missing parts.Lay%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fthe_i_flat%22%3EThe%20I%20Flat%3C%2Fa%3E%20on%20top%20of%20this%20to%20fill%20in%20the%20missing%20parts.

djangogh

 by will.i.ૐThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.31119
8.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 27 votes
Last edit: 24.10.2009
Tags: Artful, Black, Crazy, Display, Eccentric, Fat, Graffiti, Heavy, Icon, Juicyq, K, Loud, Massive, Novel, Overweight, Phat, Quirky, Round, Sharp, Titling, Upright, Voluptuous, Williaum, Xbold, Yummy, Zaftig
Category: Display, Sans Serif
38 Downloads38%20Downloads3828 Comments28%20Comments28444 Glyphs444%20Glyphs444tryin’ hard, I got screwy. greek and cyrillic shaping up; more characters to come...tryin%E2%80%99%20hard%2C%20I%20got%20screwy.%3Cbr%3E%0D%0A%3Cbr%3E%0D%0Agreek%20and%20cyrillic%20shaping%20up%3B%3Cbr%3E%0D%0Amore%20characters%20to%20come...

Mother May I

 by cbilladeauThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.10165
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 11.11.2009
Tags: Elegant, Serif, Pixel
Category: Display
5 Downloads5%20Downloads516 Comments16%20Comments1662 Glyphs62%20Glyphs62Stumped a little for caps right now, but hey. Lowercase were always my first favorite, anyway.Stumped%20a%20little%20for%20caps%20right%20now%2C%20but%20hey.%20%20Lowercase%20were%20always%20my%20first%20favorite%2C%20anyway.

More Latin Trajedy Titling Capitals

 by will.i.ૐThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.3733
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 9 votes
Cloned from TrajedyCloned from Trajedy
Last edit: 15.11.2009
Tags: Classic, Roman, Serif, Trajan, Pixel, Old Style, Titling, Small Caps, Swash, Aum, Extended, Running, Joke
Category: Pixel Optimized, Serif
6 Downloads6%20Downloads611 Comments11%20Comments11570 Glyphs570%20Glyphs570More pxl love. And another expansion of Lex Kominek’s Trajedy majuscules. The freshness of the original charmed me into creating an extended set of matching miniscules, diacritics, symbols and ligatures. But why stop there? :^)More%20pxl%20love.%20And%20another%20expansion%20of%20Lex%20Kominek%E2%80%99s%20Trajedy%20majuscules.%0D%0A%3Cbr%3E%3Cbr%3E%0D%0AThe%20freshness%20of%20the%20original%20charmed%20me%20into%20creating%20an%20extended%20set%20of%20matching%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fmore_latin_trajedy%22%3Eminiscules%3C%2Fa%3E%2C%20diacritics%2C%20symbols%20and%20ligatures.%20But%20why%20stop%20there%3F%20%3A%5E%29

I am Classic

 by sharding.11
  • Currently 5.83364
5.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 22.09.2009
Tags: -
Category: -
3 Downloads3%20Downloads362 Glyphs62%20Glyphs62SJND, shardingSJND%2C%20sharding

Dotty

 by FontterDeluxe
  • Currently 5.88848
5.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 01.10.2009
Tags: Dot, Experiment, 1st, First, Fontter, Font, Fonter, Deluxe, Wtf, Not, Good, Cool, Awsome, Asome, Teehee, I, Suck, Bandon, Fallout, 3, Red, Alert, Far, Cry, 2, Dont, Know, What, Else, Updating, 24, 7, Lol, Fail, Text, No, Stop, With, The, Tags, Seriously, If, Your, Still, Reading, This, Gay
Category: -
414 Glyphs414%20Glyphs414A bunch of dotted glyphs. I know its a bit unreadable...A%20bunch%20of%20dotted%20glyphs.%0D%0AI%20know%20its%20a%20bit%20unreadable...

LY00

 by LYE
  • Currently 6.01222
6.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 10.11.2009
Tags: Pixel, Mikro, Small, And, First, But I Like It
Category: -
6 Downloads6%20Downloads665 Glyphs65%20Glyphs65Pixel, mikro, small and first, but i like itPixel%2C%20mikro%2C%20small%20and%20first%2C%20but%20i%20like%20it

Comenia Sans

by SuitcaseFontShop.com
Comenia Sans
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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