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Sans Serious V

 by afrojet
  • Currently 7.37073
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 27.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace, Square
Category: -
2 Downloads2%20Downloads27 Comments7%20Comments762 Glyphs62%20Glyphs62For a full description see Sans Serious IFor%20a%20full%20description%20see%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fsans_serious_i%22%3ESans%20Serious%20I%3C%2Fa%3E

Letterpress

 by lldaddyThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.56735
8.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 16 votes
Last edit: 01.10.2009
Tags: Display, 3d, Cube, Shadow, San Serif, Extend, Bold, Monospace, Perspective, Block, Printing
Category: Display, Sans Serif
21 Downloads21%20Downloads217 Comments7%20Comments755 Glyphs55%20Glyphs55It's fun to work with negative spaces for a change. The 'i' is as wide as 'm' & 'w'.It%27s%20fun%20to%20work%20with%20negative%20spaces%20for%20a%20change.%0D%0AThe%20%27i%27%20is%20as%20wide%20as%20%27m%27%20%26%20%27w%27.

Flag Semaphore Peace

 by CMunk
  • Currently 6.10986
6.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 08.10.2009
Tags: Flag, Semaphore, Round, Circle, Rounded, Peace, Mono, Monospace, Political
Category: -
1 Comments1%20Comments142 Glyphs42%20Glyphs42A simplified and more abstact version version of Flag Semaphore. The peace symbol (@) is the combination of N and D (ie. Neuclear Disarm). # is the number/digit sign to put before letters A, B, C, D, E, F, G, H, I and K to make 1, 2, 3, 4, 5, 6, 7, 8, 9 and 0 respectively. That is already done in the numerals 0-9. * is the attention sign (waving arms up and down together) space is the rest position. / and \ both are the cancel sign.A%20simplified%20and%20more%20abstact%20version%20version%20of%20Flag%20Semaphore.%20%0D%0A%0D%0AThe%20peace%20symbol%20%28%40%29%20is%20the%20combination%20of%20N%20and%20D%20%28ie.%20Neuclear%20Disarm%29.%0D%0A%0D%0A%0D%0A%23%20is%20the%20number%2Fdigit%20sign%20to%20put%20before%20letters%20A%2C%20B%2C%20C%2C%20D%2C%20E%2C%20F%2C%20G%2C%20H%2C%20I%20and%20K%20to%20make%201%2C%202%2C%203%2C%204%2C%205%2C%206%2C%207%2C%208%2C%209%20and%200%20respectively.%20That%20is%20already%20done%20in%20the%20numerals%200-9.%0D%0A%2A%20is%20the%20attention%20sign%20%28waving%20arms%20up%20and%20down%20together%29%0D%0Aspace%20is%20the%20rest%20position.%0D%0A%2F%20and%20%5C%20both%20are%20the%20cancel%20sign.

Sans Serious III

 by afrojet
  • Currently 6.62475
6.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: -
4 Downloads4%20Downloads462 Glyphs62%20Glyphs62For a full description see Sans Serious IFor%20a%20full%20description%20see%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fsans_serious_i%22%3ESans%20Serious%20I%3C%2Fa%3E

Bernstein

 by chr.s
  • Currently 6.48892
6.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 01.09.2009
Tags: Monospace, Computer, Pixel, Code
Category: -
5 Downloads5%20Downloads597 Glyphs97%20Glyphs97A simple monospace. Given the main use of this type of font - namely coding - extra characters will of course be added.A%20simple%20monospace.%0D%0AGiven%20the%20main%20use%20of%20this%20type%20of%20font%20-%20namely%20coding%20-%20extra%20characters%20will%20of%20course%20be%20added.

Sans Serious II

 by afrojet
  • Currently 7.5986
7.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 04.11.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: -
5 Downloads5%20Downloads53 Comments3%20Comments362 Glyphs62%20Glyphs62For a full description see Sans Serious IFor%20a%20full%20description%20see%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fsans_serious_i%22%3ESans%20Serious%20I%3C%2Fa%3E

invisible

 by CMunk
  • Currently 7.2101
7.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 29.08.2009
Tags: Digital, Futuristic, Square, Monospace
Category: -
4 Downloads4%20Downloads44 Comments4%20Comments4310 Glyphs310%20Glyphs310This has probably been done before.This%20has%20probably%20been%20done%20before.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.97019
8.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 13 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
9 Downloads9%20Downloads911 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Mallard Smooth

 by gid
  • Currently 6.74861
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 07.09.2009
Tags: Teletext, Bbc Micro, Beeb, Bbc, Acorn, Mode 7, 8bit, Monospace, Monospaced
Category: -
5 Downloads5%20Downloads53 Comments3%20Comments3113 Glyphs113%20Glyphs113Based on the output from the Mullard SAA5050 teletext character generator as used in the venerable BBC Microcomputer's "MODE 7". Smoothed out by hand: not as authentic as Mallard Blocky, but maybe a little more usableBased%20on%20the%20output%20from%20the%20Mullard%20SAA5050%20teletext%20character%20generator%20as%20used%20in%20the%20venerable%20BBC%20Microcomputer%27s%20%22MODE%207%22.%20Smoothed%20out%20by%20hand%3A%20not%20as%20authentic%20as%20Mallard%20Blocky%2C%20but%20maybe%20a%20little%20more%20usable

Monocodigo

 by cayo
  • Currently 6.66709
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 13.08.2009
Tags: Tech, Monospace, Sans Serif, Sans
Category: -
3 Downloads3%20Downloads3204 Glyphs204%20Glyphs204A monospace techy font. Very similar to Woznian, but not cloned, so the results are different (specially while trying to fit everything in monospace).A%20monospace%20techy%20font.%3Cbr%2F%3E%0D%0AVery%20similar%20to%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F170397%22%3EWoznian%3C%2Fa%3E%2C%20but%20not%20cloned%2C%20so%20the%20results%20are%20different%20%28specially%20while%20trying%20to%20fit%20everything%20in%20monospace%29.

Czeska

by TyperepublicFontShop.com
Czeska
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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