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BoronoMono

 by fontcollector
  • Currently 6.16779
6.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 28.07.2008
Tags: Monospaced, Rectagular, Plain
Category: -
8 Downloads8%20Downloads8154 Glyphs154%20Glyphs154Similar to MonotonoMono, this font's name has nothing to do with the chemical element. Let's just say it's not the most exciting typeface you've ever seen.Similar%20to%20MonotonoMono%2C%20this%20font%27s%20name%20has%20nothing%20to%20do%20with%20the%20chemical%20element.%20%20Let%27s%20just%20say%20it%27s%20not%20the%20most%20exciting%20typeface%20you%27ve%20ever%20seen.

Baroque Ecstasy

 by BaroqueEcstasy
  • Currently 6.40493
6.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 14.04.2009
Tags: -
Category: -
8 Downloads8%20Downloads81 Comments1%20Comments178 Glyphs78%20Glyphs78Initially, I envisioned this font as an elegant serifed font, based on my handwriting (which is not to say it is itself elegant in any way). It has some Art-Nouveau influences, featuring contrasting bowl sizes, and sharp diagonal lines juxtaposed against flowing curves. When I began working on it in FontStruct however, I wasn't able to render its sinuous lines as I had first imagined. It evolved, becoming squared and angular, taking on a more Gothic feel; although, this suits its name. The title comes from "Ribbons of Baroque Ecstasy" is the name of a collection of works by English architect Neil Spiller, who advocates a return towards Gothicism, and away from bland Modernism and schizophrenic Post-Modernism.Initially%2C%20I%20envisioned%20this%20font%20as%20an%20elegant%20serifed%20font%2C%20based%20on%20my%20handwriting%20%28which%20is%20not%20to%20say%20it%20is%20itself%20elegant%20in%20any%20way%29.%20It%20has%20some%20Art-Nouveau%20influences%2C%20featuring%20contrasting%20bowl%20sizes%2C%20and%20sharp%20diagonal%20lines%20juxtaposed%20against%20flowing%20curves.%20When%20I%20began%20working%20on%20it%20in%20FontStruct%20however%2C%20I%20wasn%27t%20able%20to%20render%20its%20sinuous%20lines%20as%20I%20had%20first%20imagined.%20It%20evolved%2C%20becoming%20squared%20and%20angular%2C%20taking%20on%20a%20more%20Gothic%20feel%3B%20although%2C%20this%20suits%20its%20name.%20The%20title%20comes%20from%20%22Ribbons%20of%20Baroque%20Ecstasy%22%20is%20the%20name%20of%20a%20collection%20of%20works%20by%20English%20architect%20Neil%20Spiller%2C%20who%20advocates%20a%20return%20towards%20Gothicism%2C%20and%20away%20from%20bland%20Modernism%20and%20schizophrenic%20Post-Modernism.

Mac Lab TT 010

 by mskocko
  • Currently 6.36055
6.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 16.03.2009
Tags: Sans Serif, Tech, Scifi, Modern, Display
Category: -
4 Downloads4%20Downloads498 Glyphs98%20Glyphs98Clone of Mac Lab TT 005 UltExtExtra3xBld to be used for a filter-driven font family. See TT 011, 012, etc. If you clone it, please do not name your version "Mac Lab..." as I will be playing with and using "Mac Lab" fonts here at FontStruct and in my classroom. Thanks!Clone%20of%20Mac%20Lab%20TT%20005%20UltExtExtra3xBld%20to%20be%20used%20for%20a%20filter-driven%20font%20family.%20See%20TT%20011%2C%20012%2C%20etc.%20If%20you%20clone%20it%2C%20please%20do%20not%20name%20your%20version%20%22Mac%20Lab...%22%20as%20I%20will%20be%20playing%20with%20and%20using%20%22Mac%20Lab%22%20fonts%20here%20at%20FontStruct%20and%20in%20my%20classroom.%20Thanks%21

Bat Country

 by loboarchesThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 9.02009
9.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 23 votes
Last edit: 16.11.2009
Tags: Uwe, Chaos, Ink, Splat, Fear And Loathing, Bat Country, Ralph Steadman Laurie
Category: Display
39 Downloads39%20Downloads3923 Comments23%20Comments2355 Glyphs55%20Glyphs55I made this for my UWE graphic design first year project "communicating with words". I created this inspired by influences from Ralph steadman and Jackson pollock using the concept of inconsistansy and randomized mark making with ink. the name is derived from a quote from the book "fear and loathing in las vagas". I designed it by firstly creating the text with a pot of ink and the back side of a biro pen, then from that i drew them by hand onto A4 sheets of graph paper limitating each line to only 4 given angles, then finally transfering that onto fontstruct wich took roughly 30-40mins per letter. Enjoy!I%20made%20this%20for%20my%20UWE%20graphic%20design%20first%20year%20project%20%22communicating%20with%20words%22.%20I%20created%20this%20inspired%20by%20influences%20from%20Ralph%20steadman%20and%20Jackson%20pollock%20using%20the%20concept%20of%20inconsistansy%20and%20randomized%20mark%20making%20with%20ink.%20the%20name%20is%20derived%20from%20a%20quote%20from%20the%20book%20%22fear%20and%20loathing%20in%20las%20vagas%22.%20%0D%0AI%20designed%20it%20by%20firstly%20creating%20the%20text%20with%20a%20pot%20of%20ink%20and%20the%20back%20side%20of%20a%20biro%20pen%2C%20then%20from%20that%20i%20drew%20them%20by%20hand%20onto%20A4%20sheets%20of%20graph%20paper%20limitating%20each%20line%20to%20only%204%20given%20angles%2C%20then%20finally%20transfering%20that%20onto%20fontstruct%20wich%20took%20roughly%2030-40mins%20per%20letter.%20%0D%0AEnjoy%21

Hunstruct

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 9.10279
9.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 39 votes
Last edit: 09.09.2009
Tags: Blackletter, Fraktur, Display, Heavy, Black, Metal, Vampire
Category: Blackletter
81 Downloads81%20Downloads8132 Comments32%20Comments32171 Glyphs171%20Glyphs171Hunstrüct is my first attempt at designing a contemporary blackletter typeface within Fontstruct. The typeface draws inspiration from the long tradition of German Fraktur styled blackletters. The name Hunstrück is taken from a mountain range in Germany called the Hunsrück. Primarily I was aiming to build a face that would work well as a display type for gig posters and larger headlines but as I reworked the typeface I tried to strike a balance between text and display. Big thanks goes to djnippa for his hard work in spacing this font properly. Hunstr%C3%BCct%20is%20my%20first%20attempt%20at%20designing%20a%20contemporary%20blackletter%20typeface%20within%20Fontstruct.%20The%20typeface%20draws%20inspiration%20from%20the%20long%20tradition%20of%20German%20Fraktur%20styled%20blackletters.%20The%20name%20Hunstr%C3%BCck%20is%20taken%20from%20a%20mountain%20range%20in%20Germany%20called%20the%20%3Ca%20href%3D%22http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FHunsr%C3%BCck%22%3EHunsr%C3%BCck%3C%2Fa%3E.%20Primarily%20I%20was%20aiming%20to%20build%20a%20face%20that%20would%20work%20well%20as%20a%20display%20type%20for%20gig%20posters%20and%20larger%20headlines%20but%20as%20I%20reworked%20the%20typeface%20I%20tried%20to%20strike%20a%20balance%20between%20text%20and%20display.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ABig%20thanks%20goes%20to%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fdjnippa%22%3Edjnippa%3C%2Fa%3E%20for%20his%20hard%20work%20in%20spacing%20this%20font%20properly.%20%0D%0A

Syzygy

 by aaronbellThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.42679
7.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 18.11.2009
Tags: Old Style, Serif, Contrast, Lowercase
Category: Serif
16 Downloads16%20Downloads1611 Comments11%20Comments1156 Glyphs56%20Glyphs56Syzygy was an attempt to create a typeface of old style characters with a high contrast between thicks & thins and attractive curves, despite the inherent limitations of fonstruct’s available blocks. The end result is a highly readable typeface — even at smaller sizes — comprised entirely of straight lines. While the astronomical definition talks about alignment, the word “syzygy” more broadly means “the union of disparate or opposing object, ideas or concepts”. Thus, the name “syzygy” is meant to reference the merger between old-style letters and a modern, computer-driven design tool — truly a meeting of opposites.Syzygy%20was%20an%20attempt%20to%20create%20a%20typeface%20of%20old%20style%20characters%20with%20a%20high%20contrast%20between%20thicks%20%26%20thins%20and%20attractive%20curves%2C%20despite%20the%20inherent%20limitations%20of%20fonstruct%E2%80%99s%20available%20blocks.%20The%20end%20result%20is%20a%20highly%20readable%20typeface%20%E2%80%94%20even%20at%20smaller%20sizes%20%E2%80%94%20comprised%20entirely%20of%20straight%20lines.%20While%20the%20astronomical%20definition%20talks%20about%20alignment%2C%20the%20word%20%E2%80%9Csyzygy%E2%80%9D%20more%20broadly%20means%20%E2%80%9Cthe%20union%20of%20disparate%20or%20opposing%20object%2C%20ideas%20or%20concepts%E2%80%9D.%20Thus%2C%20the%20name%20%E2%80%9Csyzygy%E2%80%9D%20is%20meant%20to%20reference%20the%20merger%20between%20old-style%20letters%20and%20a%20modern%2C%20computer-driven%20design%20tool%20%E2%80%94%20truly%20a%20meeting%20of%20opposites.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

wodahs

 by sammyt7
  • Currently 6.85284
6.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 18.11.2009
Tags: Uwe, Shadows, Block Font, Box Letterforms
Category: -
5 Downloads5%20Downloads51 Comments1%20Comments153 Glyphs53%20Glyphs53Upper and lower case typeface based on the theme shadows, university project. The upper case represents the object/letter making the shadow and the lower case is the projected shadow image. the name is shadow backwards.Upper%20and%20lower%20case%20typeface%20based%20on%20the%20theme%20shadows%2C%20university%20project.%20The%20upper%20case%20represents%20the%20object%2Fletter%20making%20the%20shadow%20and%20the%20lower%20case%20is%20the%20projected%20shadow%20image.%20the%20name%20is%20shadow%20backwards.

Paradox

 by lemulot
  • Currently 6.44684
6.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 16.10.2009
Tags: Futur, Abstraction, Hebraic Typography
Category: -
3 Downloads3%20Downloads398 Glyphs98%20Glyphs98Hello… I share à new creation : The name's of this last one is : PARADOX. PARADOX is an old project who birth today…so enjoy !!!Hello%E2%80%A6%0D%0A%0D%0AI%20share%20%C3%A0%20new%20creation%20%3A%20The%20name%27s%20of%20this%20last%20one%20is%20%3A%20PARADOX.%20PARADOX%20is%20an%20old%20project%20who%20birth%20today%E2%80%A6so%20enjoy%20%21%21%21

Becker Large

 by gingerbeardman
  • Currently 7.0703
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 16.10.2009
Tags: Becker, Cascade, Traffic, Pro, Sat, Nav, Pixel, Bitmap, Oled, Led, Sans, Display, Bold
Category: -
1 Downloads1%20Downloads115 Comments15%20Comments15196 Glyphs196%20Glyphs196One of the fonts used on the Becker Cascade in-car satellite navigation system. This is the large font mainly used in media mode for song name display. Original font remains © Harman Becker Automotive Systems GmbH. Redrawn by hand/eye. I've created characters that I had reference material for and created my own variations of characters that can be deduced from the rest of the set.One%20of%20the%20fonts%20used%20on%20the%20Becker%20Cascade%20in-car%20satellite%20navigation%20system.%20This%20is%20the%20large%20font%20mainly%20used%20in%20media%20mode%20for%20song%20name%20display.%20Original%20font%20remains%20%C2%A9%20Harman%20Becker%20Automotive%20Systems%20GmbH.%0D%0A%0D%0ARedrawn%20by%20hand%2Feye.%20I%27ve%20created%20characters%20that%20I%20had%20reference%20material%20for%20and%20created%20my%20own%20variations%20of%20characters%20that%20can%20be%20deduced%20from%20the%20rest%20of%20the%20set.

Tempera Rose Pro

by TyponineFontShop.com
Tempera Rose Pro
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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