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Decay of TNR

 by blandsdf
  • Currently 8.53819
8.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.6%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 09.11.2009
Tags: Uwe, Decay, Times New Roman, Tnr, Bugs
Category: -
10 Comments10%20Comments1027 Glyphs27%20Glyphs27I began by exploring the theme of decaying objects, such as fruit, and studied the shape (and change of shape) of the objects, as they progressivly fell apart. By creating hand drawn sketches i began to create a typeface that looked as though it was rotting/melting away. I used a traditional typeface, Times New Roman, that could be considered as quite boring and a font which has been around for a long time and then used it as a base font which i then made to look as though it was rotting and falling apart by refering back to my earlier sketches. Overall I aimed to create a typeface that represents the decay of an older, more traditional and perhaps overused typeface.I%20began%20by%20exploring%20the%20theme%20of%20decaying%20objects%2C%20such%20as%20fruit%2C%20and%20studied%20the%20shape%20%28and%20change%20of%20shape%29%20of%20the%20objects%2C%20as%20they%20progressivly%20fell%20apart.%20By%20creating%20hand%20drawn%20sketches%20i%20began%20to%20create%20a%20typeface%20that%20looked%20as%20though%20it%20was%20rotting%2Fmelting%20away.%20I%20used%20a%20traditional%20typeface%2C%20Times%20New%20Roman%2C%20that%20could%20be%20considered%20as%20quite%20boring%20and%20a%20font%20which%20has%20been%20around%20for%20a%20long%20time%20and%20then%20used%20it%20as%20a%20base%20font%20which%20i%20then%20made%20to%20look%20as%20though%20it%20was%20rotting%20and%20falling%20apart%20by%20refering%20back%20to%20my%20earlier%20sketches.%20Overall%20I%20aimed%20to%20create%20a%20typeface%20that%20represents%20the%20decay%20of%20an%20older%2C%20more%20traditional%20and%20perhaps%20overused%20typeface.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.

Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. 

Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.

From the book ‘Dutch Type’ by Jan Middendorp:

“Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”

“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”

Read more from ‘Dutch Type’.

Image from Letters op matt.

More images of Jurriaan Schrofer's work on Flickr:

Schrofer in Total Design book.

Cover for European Journal of Social Psycology

Museumjournaal, design Jurriaan Schrofer

Die Internationale Avant-Garde

Jurriaan Schrofer - Fodor catalog

Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

ariapenciroman

 by kixThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.6994
8.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 187 votes
Last edit: 29.06.2009
Tags: Arial, Times, Times New Roman, Hybrid, Clone, Crossover, Mixture, Mix, Fusion, Newspaper, Mischwesen, Bleistft, Pencil Drawn, Scetchy, Grungy, Dirty, Free, Kix, Fun, Font, Stripes, Schraffur
Category: Display
5356 Downloads5356%20Downloads535666 Comments66%20Comments6654 Glyphs54%20Glyphs54hey fellas.
let me introduce my personal CROSSOVER of "arial" and "times new roman", two of the most famous fonts of western typefaces. 

nicely presented in a scetchy pencil drawn quickie style :)
 
it's just lower case yet, but i wanted to share it.
upper case, numerals and symbols to come. really :)

this is especially tasty in small pixel sizes! thanks for attention!
try it...

*UNDER FONSTRUCTION*hey%20fellas.%0D%0Alet%20me%20introduce%20my%20personal%20CROSSOVER%20of%20%22arial%22%20and%20%22times%20new%20roman%22%2C%20two%20of%20the%20most%20famous%20fonts%20of%20western%20typefaces.%20%0D%0A%0D%0Anicely%20presented%20in%20a%20scetchy%20pencil%20drawn%20quickie%20style%20%3A%29%0D%0A%20%0D%0Ait%27s%20just%20lower%20case%20yet%2C%20but%20i%20wanted%20to%20share%20it.%0D%0Aupper%20case%2C%20numerals%20and%20symbols%20to%20come.%20really%20%3A%29%0D%0A%0D%0Athis%20is%20especially%20tasty%20in%20small%20pixel%20sizes%21%20thanks%20for%20attention%21%0D%0Atry%20it...%0D%0A%0D%0A%2AUNDER%20FONSTRUCTION%2A

Croissante

 by guentersen
  • Currently 6.67921
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 21.07.2009
Tags: -
Category: Pixel Optimized
5 Downloads5%20Downloads53 Comments3%20Comments345 Glyphs45%20Glyphs45This is the adaption of a font invented by Enric Miralles.
He was an Architect from Barcelona.

Miralles was a master of sketching with ink-pens. His case study containing linear drawn sections of a croissante are a instant classic of analog ink-pen art.

Miralles drew versal-glyphs consisting of cirle-curves and lines to letter his architectural plans.
I felt free fontstructing this digital pixelated version.This%20is%20the%20adaption%20of%20a%20font%20invented%20by%20Enric%20Miralles.%0D%0AHe%20was%20an%20Architect%20from%20Barcelona.%0D%0A%0D%0AMiralles%20was%20a%20master%20of%20sketching%20with%20ink-pens.%20His%20case%20study%20containing%20linear%20drawn%20sections%20of%20a%20croissante%20are%20a%20instant%20classic%20of%20analog%20ink-pen%20art.%0D%0A%0D%0AMiralles%20drew%20versal-glyphs%20consisting%20of%20cirle-curves%20and%20lines%20to%20letter%20his%20architectural%20plans.%0D%0AI%20felt%20free%20fontstructing%20this%20digital%20pixelated%20version.

freehand

 by k235
  • Currently 5.87157
5.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 20.09.2008
Tags: Handwriting, Corroded, Scratch, Pencil, Handwritten
Category: -
6 Downloads6%20Downloads6109 Glyphs109%20Glyphs109

Bubble Lab EF

 by geneus1This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.13622
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 17 votes
Last edit: 23.06.2009
Tags: Collaboration, Teamwork, Emotion, Sound, Bubble, Pop, Art, Battle Cry, Kix, Wiliaum, Geneus1
Category: Picture/Symbol
574 Downloads574%20Downloads5747 Comments7%20Comments728 Glyphs28%20Glyphs28The continuation of the new and exciting Bubble Lab Collab started by kix and william right  here. 

Comment, sign on, and get your game on over there.

AB -kix
CD -williaum
EF -geneus1

Two battle cries from the Fantastic Four.
E= Battle Cry of the Thing
F= Battle Cry of the Human Torch drawn with old school comic book flame lines.


The%20continuation%20of%20the%20new%20and%20exciting%20Bubble%20Lab%20Collab%20started%20by%20kix%20and%20william%20right%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fbubble_lab%22%3E%20here.%3C%2Fa%3E%20%3Cbr%3E%0D%0A%0D%0AComment%2C%20sign%20on%2C%20and%20get%20your%20game%20on%20over%20there.%0D%0A%3Cbr%3E%0D%0AAB%20-kix%3Cbr%3E%0D%0ACD%20-williaum%3Cbr%3E%0D%0AEF%20-geneus1%3Cbr%3E%0D%0A%3Cbr%3E%0D%0ATwo%20battle%20cries%20from%20the%20Fantastic%20Four.%3Cbr%3E%0D%0AE%3D%20Battle%20Cry%20of%20the%20Thing%3Cbr%3E%0D%0AF%3D%20Battle%20Cry%20of%20the%20Human%20Torch%20drawn%20with%20old%20school%20comic%20book%20flame%20lines.%0D%0A%0D%0A%0D%0A

Cholo script

 by MissWhiteThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.70036
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 6 votes
Last edit: 07.11.2009
Tags: Blackletter, Gangster, Mexican, Evil, Uwe
Category: Display, Serif
5 Downloads5%20Downloads51 Comments1%20Comments173 Glyphs73%20Glyphs73My starting point for this project was the theme evil, this naturally lead me into looking into blackletter typefaces. I then looked at how blackletter has become popular in Mexico. Especially within the urban, gangster culture, which is where i have drawn the inspirations for the majority of my final letterforms from.My%20starting%20point%20for%20this%20project%20was%20the%20theme%20evil%2C%20this%20naturally%20lead%20me%20into%20looking%20into%20blackletter%20typefaces.%20I%20then%20looked%20at%20how%20blackletter%20has%20become%20popular%20in%20Mexico.%20Especially%20within%20the%20urban%2C%20gangster%20culture%2C%20which%20is%20where%20i%20have%20drawn%20the%20inspirations%20for%20the%20majority%20of%20my%20final%20letterforms%20from.

Kelsey's Brilliance

 by WickedTwilight49This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.73922
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 20 votes
Last edit: 22.06.2009
Tags: Handwriting, Scribble, Daw, Drawn, Handmade, Andy, Kid, Kids, Kiddish, Child, Chalk, Sketch, Sketchy, Scratchy, Scratch
Category: Display, Script
183 Downloads183%20Downloads183140 Glyphs140%20Glyphs140My own handwriting, although, you never realize how kiddish and messy your handwriting is until you make it into a font. :)My%20own%20handwriting%2C%20although%2C%20you%20never%20realize%20how%20kiddish%20and%20messy%20your%20handwriting%20is%20until%20you%20make%20it%20into%20a%20font.%20%3A%29

Celtic Modulations

 by krs185
  • Currently 6.203
6.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 5 votes
Last edit: 22.05.2009
Tags: Celtic, Knotwork, Sans Serif
Category: -
8 Downloads8%20Downloads831 Glyphs31%20Glyphs31Based off of a Celtic twist I created in a hand-drawn font. Based%20off%20of%20a%20Celtic%20twist%20I%20created%20in%20a%20hand-drawn%20font.%20

Boxy 1

 by marksimThe FontStruct staff say: Mark Simonson gives the standard square typeface an isometric flair.The%20FontStruct%20staff%20say%3A%20%3Cem%3E%3Cp%3EMark%20Simonson%20gives%20the%20standard%20square%20typeface%20an%20isometric%20flair.%3C%2Fp%3E%3C%2Fem%3E
  • Currently 6.80763
6.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 32 votes
Last edit: 11.09.2009
Tags: -
Category: Display
680 Downloads680%20Downloads6802 Comments2%20Comments298 Glyphs98%20Glyphs98This is based on a type design I was playing around with when I was in college in 1975. The original was drawn on graph paper. It had certain rules of construction, such as not using angles that tilted the other direction, making some kinds of forms practically impossible.This%20is%20based%20on%20a%20type%20design%20I%20was%20playing%20around%20with%20when%20I%20was%20in%20college%20in%201975.%20The%20original%20was%20drawn%20on%20graph%20paper.%20It%20had%20certain%20rules%20of%20construction%2C%20such%20as%20not%20using%20angles%20that%20tilted%20the%20other%20direction%2C%20making%20some%20kinds%20of%20forms%20practically%20impossible.

Pradell

by TyperepublicFontShop.com
Pradell
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