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Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.

Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. 

Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.

From the book ‘Dutch Type’ by Jan Middendorp:

“Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”

“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”

Read more from ‘Dutch Type’.

Image from Letters op matt.

More images of Jurriaan Schrofer's work on Flickr:

Schrofer in Total Design book.

Cover for European Journal of Social Psycology

Museumjournaal, design Jurriaan Schrofer

Die Internationale Avant-Garde

Jurriaan Schrofer - Fodor catalog

Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Brokenscript Rectangular (Smooth)

 by naverhtrad
  • Currently 7.13729
7.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 15.06.2009
Tags: Blackletter, Gothic, Old English, Square, Textura, German
Category: -
13 Downloads13%20Downloads13106 Glyphs106%20Glyphs106Smooth version of BrokenScript Rectangular.  One of the comments in the thread for BrokenScript Rectangular said that it might look better if I took off some of the 'thorns', so I tried it - it worked pretty well.Smooth%20version%20of%20BrokenScript%20Rectangular.%20%20One%20of%20the%20comments%20in%20the%20thread%20for%20BrokenScript%20Rectangular%20said%20that%20it%20might%20look%20better%20if%20I%20took%20off%20some%20of%20the%20%27thorns%27%2C%20so%20I%20tried%20it%20-%20it%20worked%20pretty%20well.

Brokenscript Rectangular (Regular)

 by naverhtradThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.98075
7.0Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 13 votes
Last edit: 16.06.2009
Tags: Square, Textura, Gothic, German, Blackletter, Old English
Category: Blackletter
118 Downloads118%20Downloads1182 Comments2%20Comments2106 Glyphs106%20Glyphs106A blackletter typeface, and my second FontStruct.A%20blackletter%20typeface%2C%20and%20my%20second%20FontStruct.

Road Signs

 by LPMCC.netThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.75782
6.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 21 votes
Last edit: 15.06.2009
Tags: Uk, Road Signs, Mandatory, Orders, Circular, Information, Rectangular, Symbols
Category: Picture/Symbol
98 Downloads98%20Downloads987 Comments7%20Comments785 Glyphs85%20Glyphs85UK Road Signs. ASCII 33 to 114 in order of the DOT diagram numbers. Check pattern represents red.
Chevrons and lane markings are spaced to butt together.
See RoadSigns2 for the other half!UK%20Road%20Signs.%20ASCII%2033%20to%20114%20in%20order%20of%20the%20DOT%20diagram%20numbers.%20Check%20pattern%20represents%20red.%0D%0AChevrons%20and%20lane%20markings%20are%20spaced%20to%20butt%20together.%0D%0ASee%20RoadSigns2%20for%20the%20other%20half%21

Squabble

 by nemoorangeThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 6.68108
6.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E6.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E7.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 19 votes
Last edit: 22.06.2009
Tags: Slab, Heavy, Bold, Serif, Slabserif
Category: Slab Serif, Display
128 Downloads128%20Downloads1286 Comments6%20Comments6319 Glyphs319%20Glyphs319Like Masphalt, the original inspiration for this one comes from Stefan Kjartansson's Black Slabbath.  I think I played enough with it to make it my own.  Like the two-story lowercase g and lowercase a.  Squishing that middle stroke really gave this one a personality.  I kept all the counters rectangular, try not to hide the hard edges.  This is my first time going through the diacritics to give me a holler if you see something wrong.Like%20Masphalt%2C%20the%20original%20inspiration%20for%20this%20one%20comes%20from%20%3Ca%20href%3D%22http%3A%2F%2Fhowdoyouspellkjartansson.com%2F%22%3EStefan%20Kjartansson%3C%2Fa%3E%27s%20Black%20Slabbath.%20%20I%20think%20I%20played%20enough%20with%20it%20to%20make%20it%20my%20own.%20%20Like%20the%20two-story%20lowercase%20g%20and%20lowercase%20a.%20%20Squishing%20that%20middle%20stroke%20really%20gave%20this%20one%20a%20personality.%20%20I%20kept%20all%20the%20counters%20rectangular%2C%20try%20not%20to%20hide%20the%20hard%20edges.%20%20This%20is%20my%20first%20time%20going%20through%20the%20diacritics%20to%20give%20me%20a%20holler%20if%20you%20see%20something%20wrong.

Modern Box

 by Jox
  • Currently 5.66807
5.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E6.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 22.06.2009
Tags: Box, Boxy, Modern, Square, Rectangular, Lines, Rectangle, Pixel
Category: -
11 Downloads11%20Downloads113 Comments3%20Comments3111 Glyphs111%20Glyphs111A square letters collection. Made without spaces, so every word must have a capital letter in the beginning. Added some most used non-standard characters.A%20square%20letters%20collection.%20Made%20without%20spaces%2C%20so%20every%20word%20must%20have%20a%20capital%20letter%20in%20the%20beginning.%20Added%20some%20most%20used%20non-standard%20characters.

Geolateral

 by geneus1This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 5.72216
5.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E5.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 6 votes
Last edit: 16.06.2009
Tags: Wide, Rectangular, Sans Serif, Futuristic
Category: Display
28 Downloads28%20Downloads2898 Glyphs98%20Glyphs98Wide Spacy sans serif font. Wide%20Spacy%20sans%20serif%20font.%20

jzxlaxhwgrek1st

 by Kazper
  • Currently 5.30453
5.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E5.3%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
Last edit: 30.06.2009
Tags: -
Category: -
66 Glyphs66%20Glyphs66The final one! Hopefully. There'll probably be some additional fonts but ones that are based on these and not completely different. Also, hopefully fonts that are as cool as alot of the ones on this site but that are too difficult to write quickly.
The rectangular script is an... accent script. I can see it being used as a border on a building's sides. It can rotate 90 degrees clockwise.The%20final%20one%21%20Hopefully.%20There%27ll%20probably%20be%20some%20additional%20fonts%20but%20ones%20that%20are%20based%20on%20these%20and%20not%20completely%20different.%20Also%2C%20hopefully%20fonts%20that%20are%20as%20cool%20as%20alot%20of%20the%20ones%20on%20this%20site%20but%20that%20are%20too%20difficult%20to%20write%20quickly.%0D%0AThe%20rectangular%20script%20is%20an...%20accent%20script.%20I%20can%20see%20it%20being%20used%20as%20a%20border%20on%20a%20building%27s%20sides.%20It%20can%20rotate%2090%20degrees%20clockwise.

EconoMono

 by fontcollector
  • Currently 5.40608
5.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E5.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 25.11.2008
Tags: Monospaced, Rectangular, Letterbats, Fontbats, Alphadings
Category: Display
9 Downloads9%20Downloads9154 Glyphs154%20Glyphs154Absolutely no frills.Absolutely%20no%20frills.

WideLoadMono

 by fontcollector
  • Currently 5.26801
5.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E5.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E5.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 25.11.2008
Tags: Monospaced, Rectangular, Plain, Wide
Category: -
7 Downloads7%20Downloads7154 Glyphs154%20Glyphs154Adapted from BoronoMono, but with shorter and broader characters.Adapted%20from%20BoronoMono%2C%20but%20with%20shorter%20and%20broader%20characters.

Czeska

by TyperepublicFontShop.com
Czeska
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com

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