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We found 39 FontStructions matching “Afrojet”. Hide OptionsHide Options

Brutal Exchange of a Smug for Some Faith

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.33563
8.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 14.11.2009
Tags: Display, Modular, Multilayer, Layer, Brick, Custom, Deco, One
Category: Display
31 Downloads31%20Downloads3116 Comments16%20Comments1652 Glyphs52%20Glyphs52A play on brickstacking, 'Brutal' is an experiment in creating a one brick fontstruction for multilayered screen printing. To use this font, you simply need to layer the uppercase alphabet on top of (or underneath) the lowercase alphabet (see below for a sample). Obviously, it doesn't look like much in the Fontstruct preview. The inspiration for this typeface came about when I was putting together this Flickr gallery of modular multi-colored lettering. The first 25 downloads are all mine. It was a hard one to test.A%20play%20on%20brickstacking%2C%20%27Brutal%27%20is%20an%20experiment%20in%20creating%20a%20one%20brick%20fontstruction%20for%20multilayered%20screen%20printing.%20To%20use%20this%20font%2C%20you%20simply%20need%20to%20layer%20the%20uppercase%20alphabet%20on%20top%20of%20%28or%20underneath%29%20the%20lowercase%20alphabet%20%28see%20below%20for%20a%20sample%29.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AObviously%2C%20it%20doesn%27t%20look%20like%20much%20in%20the%20Fontstruct%20preview.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AThe%20inspiration%20for%20this%20typeface%20came%20about%20when%20I%20was%20putting%20together%20this%20Flickr%20gallery%20of%20%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fafrojet%2Fgalleries%2F72157622372688742%2F%22%3Emodular%20multi-colored%20lettering%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AThe%20first%2025%20downloads%20are%20all%20mine.%20It%20was%20a%20hard%20one%20to%20test.

Hunstruct Tall

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.596
8.6Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.6%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 09.09.2009
Tags: Blackletter, Fraktur, Tall, Display, Heavy, Black, Metal, Vampire
Category: Display, Blackletter
12 Downloads12%20Downloads1218 Comments18%20Comments18170 Glyphs170%20Glyphs170Hunstruct's taller cousin.%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fhunstruct%22%3EHunstruct%3C%2Fa%3E%27s%20taller%20cousin.

Dot Dot Hex

 by minimumThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.68343
7.7Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.7%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 6 votes
Last edit: 20.11.2009
Tags: V10, Dots, Hex, Hexagon
Category: Display
7 Downloads7%20Downloads79 Comments9%20Comments946 Glyphs46%20Glyphs46Bitten by afrojet's coloring technique. In fact this fontstruction owes its completion merely to try out his technique. Thanks, aj.Bitten%20by%20afrojet%27s%20coloring%20technique.%20In%20fact%20this%20fontstruction%20owes%20its%20completion%20merely%20to%20try%20out%20his%20technique.%20Thanks%2C%20aj.

FS Collaboration 1

 by collabThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.26701
8.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 17 votes
Last edit: 22.07.2009
Tags: Funk King, Dj Nippa, Kix, Axel Leyer, Thalamic, Aphoria, Union, Collab, Ncd, N Downey, Geneus1, Afrojet, Magic Sam, Jhejka, Saberrider, Joeallison
Category: Display
121 Downloads121%20Downloads12199 Comments99%20Comments9960 Glyphs60%20Glyphs60This is the community font currently being worked on by some of the FontStructors :) funk_king - F I K L U c f k p u djnippa - a e g D N z i M kix - R S d t H Axel Leyer - G n h thalamic - A T m X Y & aphoria - O J q geneus1 - B C E Z s afrojet - Q W magic_sam - P o v y JoeAllison - b jhejka - V w 2 + saberrider - j l x Please add your details once completed.This%20is%20the%20community%20font%20currently%20being%20worked%20on%20by%20some%20of%20the%20FontStructors%20%3A%29%3Cbr%3E%3Cbr%3E%0D%0A%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Ffunk_king%22%3Efunk_king%3C%2Fa%3E%3C%2Fb%3E%20-%20F%20I%20K%20L%20U%20c%20f%20k%20p%20u%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fdjnippa%22%3Edjnippa%3C%2Fa%3E%3C%2Fb%3E%20-%20a%20e%20g%20D%20N%20z%20i%20M%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fkix%22%3Ekix%3C%2Fa%3E%3C%2Fb%3E%20-%20R%20S%20d%20t%20H%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Faxel_leyer%22%3EAxel%20Leyer%3C%2Fa%3E%3C%2Fb%3E%20-%20G%20n%20h%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fthalamic%22%3Ethalamic%3C%2Fa%3E%3C%2Fb%3E%20-%20A%20T%20m%20X%20Y%20%26%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Faphoria%22%3Eaphoria%3C%2Fa%3E%3C%2Fb%3E%20-%20O%20J%20q%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fgeneus1%22%3Egeneus1%3C%2Fa%3E%3C%2Fb%3E%20-%20B%20C%20E%20Z%20s%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fafrojet%22%3Eafrojet%3C%2Fa%3E%3C%2Fb%3E%20-%20Q%20W%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fmagic_sam%22%3Emagic_sam%3C%2Fa%3E%3C%2Fb%3E%20-%20P%20o%20v%20y%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20%0D%0Ahref%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fjoeallison%22%3EJoeAllison%3C%2Fa%3E%3C%2Fb%3E%20-%20b%20%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20%0D%0Ahref%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fjhejka%22%3Ejhejka%3C%2Fa%3E%3C%2Fb%3E%20-%20V%20w%202%20%2B%3Cbr%3E%0D%0A%3Cb%3E%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructors%2Fsaberrider%22%3Esaberrider%3C%2Fa%3E%3C%2Fb%3E%20-%20j%20l%20x%3Cbr%3E%3Cbr%3E%0D%0APlease%20add%20your%20details%20once%20completed.

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Sessions

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.54656
8.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.7%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 63 votes
Last edit: 23.06.2009
Tags: Bauhaus, Albers, Josef, Modular, Thick, Bold
Category: Display
2252 Downloads2252%20Downloads225226 Comments26%20Comments2641 Glyphs41%20Glyphs41Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters. 'Sessions' is the first to get shared. Hopefully, more to come.Having%20previously%20played%20around%20in%20Fontstruct%20with%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Feclat_weave%22%3EAnni%20Albers%27%20textile%20patterns%3C%2Fa%3E%2C%20I%20thought%20it%20time%20to%20turn%20my%20attention%20to%20her%20husband%20Josef%27s%20work.%20Josef%20Albers%27%20constructivist%20typographic%20experiments%20are%20a%20perfect%20match%20for%20Fontstruct.%20Other%20Fontstructors%20have%20done%20great%20work%20with%20Alber%27s%20ideas.%20Most%20notably%2C%20Saberrider%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Ffontstract%22%3Efontsract%3C%2Fa%3E%20and%20Stewf%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Fgallery%2F2%2Fall%2Fhighest_rated%2F0%2Fleaflet%22%3ELeaflet%20family%3C%2Fa%3E.%0D%0A%0D%0AUsing%20Josef%20Albers%27%20%3Ca%20href%3D%22http%3A%2F%2Fwww.fontshop.com%2Ffonts%2Fdownloads%2Fp22%2Fp22_albers_set%2F%22%3EKombinationsschrift%20alphabet%3C%2Fa%3E%20%281928-1931%29%20as%20my%20foundation%2C%20I%27ve%20been%20having%20a%20lot%20of%20fun%20remixing%20and%20experimenting%20with%20his%20letters.%20%27Sessions%27%20is%20the%20first%20to%20get%20shared.%20Hopefully%2C%20more%20to%20come.

Slug

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.94725
7.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 20 votes
Cloned from poffCloned from poff
Last edit: 23.07.2009
Tags: Bauhaus, Albers, Josef, Modular, Thick, Bold, Saberrider, Poff, Stencilpotential
Category: Display
111 Downloads111%20Downloads11114 Comments14%20Comments1443 Glyphs43%20Glyphs43This is a Sessions flavored remix of Saberrider's wonderful Poff font.This%20is%20a%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fsessions%22%3ESessions%3C%2Fa%3E%20flavored%20remix%20of%20Saberrider%27s%20wonderful%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2Fpoff_1%22%3EPoff%3C%2Fa%3E%20font.

Slink

 by geneus1This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.51733
7.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 30.06.2009
Tags: Josef Albers, Saberrider, Afrojet, Leafy, Stencil, Accidental, Surprise
Category: Display
45 Downloads45%20Downloads4510 Comments10%20Comments1042 Glyphs42%20Glyphs42A tribute to Josef Albers: inadvertently inspired by saberrider and afrojet. This font totally happened by accident. Recently, saberrider created steep, which uses a 2.0 x 1.11 filter setting to smoothly blend the quarter-circle bricks into the triangles. After saberrider created his experimental variable scale fontstruction, it lead me to revisit an abandoned work I did from last year that was done in a similar scale. After getting over the initial disgust of looking at the dismal failure, I started tweaking. Then I decided to tweak the letters instead. It became apparent that I could create a stencil type font that also looked like Josef Alber's font. Coincidentally, Saberrider also has a variation with fontstract, and of course, that Stewf guy has his own family of Leaflets. ;-) Afrojet's sessions came into play in creating some of the letter forms, especially the numerals. The final filter setting became 1.638 x 1.08, which created a nice fusion of the curved and triangular bricks, but was also naturally inclined to necessitate the vertical divide on each glyph. The rest flowed rather easily from there. Here's to more happy accidents. =) The sample is also a tribute to Alber's color theory, showing the names in identical colors, which, when juxtaposed over contrasting colors tricks the eye into thinking the bottom name is darker than the top. The following Josef Albers quote can relate to all things creative, like fontstructing, not just color: "It should be clear by now that our way of studying color does not start with the past - neither with works of the past nor with its theories. As we begin principally with the material, color itself, and its action and interaction as registered in our minds, we practice first and mainly a study of ourselves. Thus, we replace looking backward by looking first at ourselves and our surroundings, and replace retrospection with introspection." - Josef Albers A%20tribute%20to%20Josef%20Albers%3A%20inadvertently%20inspired%20by%20saberrider%20and%20afrojet.%20%0D%0A%0D%0AThis%20font%20totally%20happened%20by%20accident.%20Recently%2C%20saberrider%20created%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F185027%22%3Esteep%2C%3C%2Fa%3E%20which%20uses%20a%202.0%20x%201.11%20filter%20setting%20to%20smoothly%20blend%20the%20quarter-circle%20bricks%20into%20the%20triangles.%20After%20saberrider%20created%20his%20experimental%20variable%20scale%20fontstruction%2C%20it%20lead%20me%20to%20revisit%20an%20abandoned%20work%20I%20did%20from%20last%20year%20that%20was%20done%20in%20a%20similar%20scale.%20After%20getting%20over%20the%20initial%20disgust%20of%20looking%20at%20the%20dismal%20failure%2C%20I%20started%20tweaking.%20Then%20I%20decided%20to%20tweak%20the%20letters%20instead.%20It%20became%20apparent%20that%20I%20could%20create%20a%20stencil%20type%20font%20that%20also%20looked%20like%20%3Ca%20href%3D%22http%3A%2F%2Fwww.p22.com%2Fproducts%2Falbers.html%22%3EJosef%20Alber%27s%20font.%3C%2Fa%3E%20Coincidentally%2C%20Saberrider%20also%20has%20a%20variation%20with%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F90140%22%3Efontstract%2C%3C%2Fa%3E%0D%0Aand%20of%20course%2C%20that%20Stewf%20guy%20has%20his%20own%20family%20of%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Fgallery%2F2%2Fall%2Fhighest_rated%2F0%2Fleaflet%22%3ELeaflets.%3C%2Fa%3E%20%3B-%29%20Afrojet%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F178441%22%3Esessions%3C%2Fa%3E%20came%20into%20play%20in%20creating%20some%20of%20the%20letter%20forms%2C%20especially%20the%20numerals.%20The%20final%20filter%20setting%20became%201.638%20x%201.08%2C%20which%20created%20a%20nice%20fusion%20of%20the%20curved%20and%20triangular%20bricks%2C%20but%20was%20also%20naturally%20inclined%20to%20necessitate%20the%20vertical%20divide%20on%20each%20glyph.%20The%20rest%20flowed%20rather%20easily%20from%20there.%20Here%27s%20to%20more%20happy%20accidents.%20%3D%29%0D%0A%0D%0AThe%20sample%20is%20also%20a%20tribute%20to%20Alber%27s%20color%20theory%2C%20showing%20the%20names%20in%20identical%20colors%2C%20which%2C%20when%20juxtaposed%20over%20contrasting%20colors%20tricks%20the%20eye%20into%20thinking%20the%20bottom%20name%20is%20darker%20than%20the%20top.%0D%0A%0D%0AThe%20following%20Josef%20Albers%20quote%20can%20relate%20to%20all%20things%20creative%2C%20like%20fontstructing%2C%20not%20just%20color%3A%20%0D%0A%3Ci%3E%0D%0A%22It%20should%20be%20clear%20by%20now%20that%20our%20way%20of%20studying%20color%20does%20not%20start%20with%20the%20past%20-%20neither%20with%20works%20of%20the%20past%20nor%20with%20its%20theories.%0D%0A%0D%0AAs%20we%20begin%20principally%20with%20the%20material%2C%20color%20itself%2C%20and%20its%20action%20and%20interaction%20as%20registered%20in%20our%20minds%2C%20we%20practice%20first%20and%20mainly%20a%20study%20of%20ourselves.%0D%0A%0D%0AThus%2C%20we%20replace%20looking%20backward%20by%20looking%20first%20at%20ourselves%20and%20our%20surroundings%2C%20and%20replace%20retrospection%20with%20introspection.%22%0D%0A%3C%2Fi%3E%0D%0A-%20Josef%20Albers%0D%0A

Steeplechase

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.93887
7.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 34 votes
Last edit: 24.06.2009
Tags: Tall, Rounded, Irregular, Jazz, Bebop, Swing, Saul Bellow
Category: Display
348 Downloads348%20Downloads34816 Comments16%20Comments1698 Glyphs98%20Glyphs98Good evening and welcome to the Steeplechase, Fonstruct's premier jazz club. Be-bop on over to the bar and order your favorite libation. The show is about to start.Good%20evening%20and%20welcome%20to%20the%20Steeplechase%2C%20Fonstruct%27s%20premier%20jazz%20club.%20Be-bop%20on%20over%20to%20the%20bar%20and%20order%20your%20favorite%20libation.%20The%20show%20is%20about%20to%20start.

NCD Autonium Small Caps (PayPal $5 to djnippa

 by djnippaThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.86958
7.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 29 votes
Last edit: 16.08.2009
Tags: Modern, Black, Block, Display, Octagonal, Small Caps, Ncd Fonts, Dj Nippa, Erick Morillo, Fedde Le Grand, Paul Van Dyk
Category: Display
135 Downloads135%20Downloads13527 Comments27%20Comments27167 Glyphs167%20Glyphs167If you want the FULL SET including the European Set then send $5 via PayPal to djnippa@hotmail.com, stating which font you require. Roughly based on my NCD Black Square fontstruct, but massively scaled up to accommodate the internal lines. I found that the small caps version works nicely when used in odd combinations with the lower case. Particularly the upper 'R'. Most difficult characters were the F/f. I wasn't too keen on the open space they made, so I've added more than a few alternatives. The 'r', 'J' & 'L' gave me a similar visual dilemma. I have also completed a version with Normal Caps. Which will be displayed soon. ALTERNATIVES ============ # = d (stem facing other way) ^ = e (extended arm) < = F (rounded top edges) * = f (over lapping next character) \ = f (alternative with extended tale) ] = g (old style) % = g (old style with ear) [ = g (extended foot) ‡ = I (alternative) } = J (alternative) > = M (Monospaced) { = r (shortened arm) ` = S (alternative) § = W (alternative) ~ = y (extended foot) If you're name's Thalamic, Afrojet, Intaglio, jMarquez, Minimum, Kix, Geneus1, MagicSam, Shasta, beate, Funk_King, Em42, Empar, or anyone else's work I've may have downloaded, then please email me, and I'll send you the final version .... if you want a copy that is. :-) If%20you%20want%20the%20FULL%20SET%20including%20the%20%3Cb%3EEuropean%20Set%3C%2Fb%3E%20then%20send%20%245%20via%20PayPal%20to%20djnippa%40hotmail.com%2C%20stating%20which%20font%20you%20require.%0D%0A%3Cbr%3E%0D%0ARoughly%20based%20on%20my%20NCD%20Black%20Square%20fontstruct%2C%20but%20massively%20scaled%20up%20to%20accommodate%20the%20internal%20lines.%3Cbr%3E%0D%0A%0D%0AI%20found%20that%20the%20small%20caps%20version%20works%20nicely%20when%20used%20in%20odd%20combinations%20with%20the%20lower%20case.%20Particularly%20the%20upper%20%27R%27.%0D%0A%3Cbr%3E%0D%0AMost%20difficult%20characters%20were%20the%20F%2Ff.%20I%20wasn%27t%20too%20keen%20on%20the%20open%20space%20they%20made%2C%20so%20I%27ve%20added%20more%20than%20a%20few%20alternatives.%20The%20%27r%27%2C%20%27J%27%20%26%20%27L%27%20gave%20me%20a%20similar%20visual%20dilemma.%0D%0A%3Cbr%3E%0D%0AI%20have%20also%20completed%20a%20version%20with%20%3Cb%3ENormal%20Caps%3C%2Fb%3E.%20Which%20will%20be%20displayed%20soon.%0D%0A%3Cbr%3E%0D%0A%3Cbr%3E%0D%0A%3Cb%3EALTERNATIVES%3C%2Fb%3E%3Cbr%3E%0D%0A%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%0D%0A%3Cbr%3E%0D%0A%23%20%3D%20d%20%28stem%20facing%20other%20way%29%3Cbr%3E%0D%0A%5E%20%3D%20e%20%28extended%20arm%29%3Cbr%3E%0D%0A%3C%20%3D%20F%20%28rounded%20top%20edges%29%3Cbr%3E%0D%0A%2A%20%3D%20f%20%28over%20lapping%20next%20character%29%3Cbr%3E%0D%0A%5C%20%3D%20f%20%28alternative%20with%20extended%20tale%29%3Cbr%3E%0D%0A%5D%20%3D%20g%20%28old%20style%29%3Cbr%3E%0D%0A%25%20%3D%20g%20%28old%20style%20with%20ear%29%3Cbr%3E%0D%0A%5B%20%3D%20g%20%28extended%20foot%29%3Cbr%3E%0D%0A%E2%80%A1%20%3D%20I%20%28alternative%29%3Cbr%3E%0D%0A%7D%20%3D%20J%20%28alternative%29%3Cbr%3E%0D%0A%3E%20%3D%20M%20%28Monospaced%29%3Cbr%3E%0D%0A%7B%20%3D%20r%20%28shortened%20arm%29%3Cbr%3E%0D%0A%60%20%3D%20S%20%28alternative%29%3Cbr%3E%0D%0A%C2%A7%20%3D%20W%20%28alternative%29%3Cbr%3E%0D%0A%7E%20%3D%20y%20%28extended%20foot%29%3Cbr%3E%0D%0A%0D%0AIf%20you%27re%20name%27s%0D%0AThalamic%2C%20Afrojet%2C%20Intaglio%2C%20jMarquez%2C%20Minimum%2C%20Kix%2C%20Geneus1%2C%20MagicSam%2C%20Shasta%2C%20beate%2C%20Funk_King%2C%20Em42%2C%20Empar%2C%20or%20anyone%20else%27s%20work%20I%27ve%20may%20have%20downloaded%2C%20then%20please%20email%20me%2C%20and%20I%27ll%20send%20you%20the%20final%20version%20....%20if%20you%20want%20a%20copy%20that%20is.%20%3A-%29%0D%0A

Typonine Stencil Pro

by TyponineFontShop.com
Typonine Stencil Pro
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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