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	<title>FontStruct Gallery Feed (All FontStructions, Sorted by Rating)</title>
	<link>http://fontstruct.fontshop.com/gallery/all/rating/descending/1/any_category/any_license/with_options/Condensed</link>
	<description></description>
	<language>en-us</language>
	<pubDate>Thu, 08 Jan 2009 00:52:54 -0800</pubDate> 
	<lastBuildDate>Thu, 08 Jan 2009 00:52:54 -0800</lastBuildDate> 
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&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/80235/1" alt="" /&gt;&lt;br /&gt;Clone of Prometheus Light (Basic Set), which is based on condensed Grecian typefaces by Darius Wells and William Hamilton Page. Many Grecian wood type samples lack lower case characters or numerals (or both!)... hence my sampling of different sources.

After several modifications, this FontStruction has become so big that I had to split it in two to make downloading possible! The Basic Set (this half) features all of the Basic Latin and More Latin (a.k.a. Latin-1) characters, while the Extended Set has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).	<item>
		<title>“Prometheus (Basic Set)” by SquarePeg</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/80235</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/80235/1" alt="" /&gt;&lt;br /&gt;Clone of Prometheus Light (Basic Set), which is based on condensed Grecian typefaces by Darius Wells and William Hamilton Page. Many Grecian wood type samples lack lower case characters or numerals (or both!)... hence my sampling of different sources.

After several modifications, this FontStruction has become so big that I had to split it in two to make downloading possible! The Basic Set (this half) features all of the Basic Latin and More Latin (a.k.a. Latin-1) characters, while the Extended Set has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).</description>
		<pubDate>Tue, 11 Nov 2008 16:01:41 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/80235</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/110850/1" alt="" /&gt;&lt;br /&gt;I've added a side shadow to Prometheus. The inspiration was a typeface from the French type foundry Peignot. Identified as "No. 1229" in their Lettres Fantaises of 1896, it sports a very fine side shadow, which I've attempted to re-create here. (I found the "No. 1229" sample on Hoefler & Frere-Jones' blog - fifth image from the top.)

This FontStruction is split in two to make downloading possible. The Basic Set (this half) features all of the Basic Latin and More Latin characters, while the Extended Set has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).	<item>
		<title>“Prometheus Shadow (Basic Set)” by SquarePeg</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/110850</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/110850/1" alt="" /&gt;&lt;br /&gt;I've added a side shadow to Prometheus. The inspiration was a typeface from the French type foundry Peignot. Identified as "No. 1229" in their Lettres Fantaises of 1896, it sports a very fine side shadow, which I've attempted to re-create here. (I found the "No. 1229" sample on Hoefler & Frere-Jones' blog - fifth image from the top.)

This FontStruction is split in two to make downloading possible. The Basic Set (this half) features all of the Basic Latin and More Latin characters, while the Extended Set has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).</description>
		<pubDate>Fri, 05 Dec 2008 13:18:10 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/110850</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/78304/1" alt="" /&gt;&lt;br /&gt;Condensed sans with a large x-height.	<item>
		<title>“Chesterfield” by afrojet</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/78304</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/78304/1" alt="" /&gt;&lt;br /&gt;Condensed sans with a large x-height.</description>
		<pubDate>Tue, 16 Dec 2008 15:28:45 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/78304</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/142/1" alt="" /&gt;&lt;br /&gt;	<item>
		<title>“Bevel Condensed” by nathancox</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/142</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/142/1" alt="" /&gt;&lt;br /&gt;</description>
		<pubDate>Sat, 27 Dec 2008 20:06:41 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/142</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/99644/1" alt="" /&gt;&lt;br /&gt;The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
 
 

A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
 
 

See also: Chesterfield Queen and Chesterfield Prince	<item>
		<title>“Chesterfield King” by afrojet</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/99644</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/99644/1" alt="" /&gt;&lt;br /&gt;The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
 
 

A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
 
 

See also: Chesterfield Queen and Chesterfield Prince</description>
		<pubDate>Tue, 16 Dec 2008 14:46:43 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/99644</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/118336/1" alt="" /&gt;&lt;br /&gt;it all started with the lowercase s	<item>
		<title>“Rimski” by Ixel</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/118336</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/118336/1" alt="" /&gt;&lt;br /&gt;it all started with the lowercase s</description>
		<pubDate>Sun, 23 Nov 2008 13:03:51 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/118336</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/99643/1" alt="" /&gt;&lt;br /&gt;The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
 
 

A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
 
 

See also: Chesterfield King and Chesterfield Prince.	<item>
		<title>“Chesterfield Queen” by afrojet</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/99643</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/99643/1" alt="" /&gt;&lt;br /&gt;The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
 
 

A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
 
 

See also: Chesterfield King and Chesterfield Prince.</description>
		<pubDate>Mon, 03 Nov 2008 17:52:40 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/99643</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/108686/1" alt="" /&gt;&lt;br /&gt;This is the second half of Prometheus, which is based on condensed Grecian typefaces by Darius Wells and William Hamilton Page.

This FontStruction has become so big that I had to split it in two to make downloading possible! The Basic Set features all of the Basic Latin and More Latin (a.k.a. Latin-1) characters, while the Extended Set (this half) has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).	<item>
		<title>“Prometheus (Extended Set)” by SquarePeg</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/108686</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/108686/1" alt="" /&gt;&lt;br /&gt;This is the second half of Prometheus, which is based on condensed Grecian typefaces by Darius Wells and William Hamilton Page.

This FontStruction has become so big that I had to split it in two to make downloading possible! The Basic Set features all of the Basic Latin and More Latin (a.k.a. Latin-1) characters, while the Extended Set (this half) has all of the Extended Latin A and several Extended Latin B characters (Latin-based diacritics for the Central European, West European, Baltic, and Romanian languages, plus special characters for Croatian, Slovenian, and Livonian, among others).</description>
		<pubDate>Wed, 12 Nov 2008 02:05:08 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/108686</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/130652/1" alt="" /&gt;&lt;br /&gt;A condensed version of NCD Black Square II.	<item>
		<title>“NCD Black Square II Condensed” by djnippa</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/130652</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/130652/1" alt="" /&gt;&lt;br /&gt;A condensed version of NCD Black Square II.</description>
		<pubDate>Mon, 29 Dec 2008 14:50:50 -0800</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/130652</guid> 
	</item>
&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/79665/1" alt="" /&gt;&lt;br /&gt;sans serif version of sexta-feira. caps and small caps, work in progress.	<item>
		<title>“sexta-feira sans” by ocorreiododiogo</title>
		<link>http://fontstruct.fontshop.com/fontstructions/show/79665</link>
		<description>&lt;img src="http://fontstruct.fontshop.com/fontstructions/get_preview/79665/1" alt="" /&gt;&lt;br /&gt;sans serif version of sexta-feira. caps and small caps, work in progress.</description>
		<pubDate>Fri, 18 Jul 2008 12:40:26 -0700</pubDate>
		<guid>http://fontstruct.fontshop.com/fontstructions/show/79665</guid> 
	</item>
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