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cedar

 by kekehThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.81531
8.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.3%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 31 votes
Last edit: 15.09.2009
Tags: Display, Wood, Log
Category: Pixel Optimized, Display
59 Downloads59%20Downloads5927 Comments27%20Comments2799 Glyphs99%20Glyphs99

Skipper Tight

 by anTypThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.33483
8.3Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.3%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.2%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 13 votes
Last edit: 24.09.2009
Tags: Strong, Geometric, Block, Industrial, Bold, Cyrillic
Category: Pixel Optimized, Sans Serif
10 Downloads10%20Downloads1012 Comments12%20Comments12293 Glyphs293%20Glyphs293

Peteroque

 by anTypThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.75264
8.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 34 votes
Last edit: 12.10.2009
Tags: -
Category: Pixel Optimized, Serif
36 Downloads36%20Downloads3616 Comments16%20Comments16742 Glyphs742%20Glyphs742Decorated pixel capitals in quasi-Baroque manner. With ligatures & alternates. Work in progress. Замечания и предложения приветствуются.Decorated%20pixel%20capitals%20in%20quasi-Baroque%20manner.%0D%0AWith%20ligatures%20%26%20alternates.%20Work%20in%20progress.%0D%0A%D0%97%D0%B0%D0%BC%D0%B5%D1%87%D0%B0%D0%BD%D0%B8%D1%8F%20%20%D0%B8%20%D0%BF%D1%80%D0%B5%D0%B4%D0%BB%D0%BE%D0%B6%D0%B5%D0%BD%D0%B8%D1%8F%20%D0%BF%D1%80%D0%B8%D0%B2%D0%B5%D1%82%D1%81%D1%82%D0%B2%D1%83%D1%8E%D1%82%D1%81%D1%8F.

fs Inflate [04] Poof

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.16976
8.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.1%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 12 votes
Last edit: 01.11.2009
Tags: V10, Family, Weights, Tech
Category: Pixel Optimized, Sans Serif, Display
20 Downloads20%20Downloads2015 Comments15%20Comments1543 Glyphs43%20Glyphs43Some fontstructions just come together quickly. The idea was to find a way to achieve pixel-level color manipulation without manually coloring each pixel. Hope you find it entertaining if not useful. --View anTyp's Peteroque for a far superior example of layering and coloring pixels technique.Some%20fontstructions%20just%20come%20together%20quickly.%20The%20idea%20was%20to%20find%20a%20way%20to%20achieve%20pixel-level%20color%20manipulation%20without%20manually%20coloring%20each%20pixel.%20Hope%20you%20find%20it%20entertaining%20if%20not%20useful.%3Cbr%3E%3Cbr%3E%0D%0A--%3Cb%3EView%20anTyp%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F235495%22%3EPeteroque%3C%2Fa%3E%20for%20a%20far%20superior%20example%20of%20layering%20and%20coloring%20pixels%20technique.%3C%2Fb%3E

Grayscale

 by minimumThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.48303
8.5Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.5%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 22 votes
Last edit: 31.07.2009
Tags: -
Category: Pixel Optimized
222 Downloads222%20Downloads22213 Comments13%20Comments1340 Glyphs40%20Glyphs40The Pet Shop Boys had a competition to design the poster for their North American tour to support the Yes album.This was one of the submitted entry, designed by CrowdSpring user k_anderson [not me]. This font is an expansion of his/her idea.The%20%3Ca%20href%3D%22http%3A%2F%2Fpetshopboys.co.uk%2F%22%3EPet%20Shop%20Boys%3C%2Fa%3E%20had%20a%20%3Ca%20href%3D%22http%3A%2F%2Fwww.crowdspring.com%2Fprojects%2Fgraphic_design%2Fprint_design%2Fcreate_pandemonium_with_the_pet_shop_boys%22%3Ecompetition%20to%20design%20the%20poster%3C%2Fa%3E%20for%20their%20North%20American%20tour%20to%20support%20the%20%3Ca%20href%3D%22http%3A%2F%2Fwww.bbc.co.uk%2Fmusic%2Freviews%2Fv3dp%22%3EYes%3C%2Fa%3E%20album.%3Ca%20href%3D%22http%3A%2F%2Fwww.crowdspring.com%2Fprojects%2Fgraphic_design%2Fprint_design%2Fcreate_pandemonium_with_the_pet_shop_boys%2Fgallery%2Fpandemonium_tour_poster__12%22%3EThis%3C%2Fa%3E%20was%20one%20of%20the%20submitted%20entry%2C%20designed%20by%20CrowdSpring%20user%20k_anderson%20%5Bnot%20me%5D.%20This%20font%20is%20an%20expansion%20of%20his%2Fher%20idea.

Broaden

 by lldaddyThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.80915
7.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 8 votes
Last edit: 26.07.2009
Tags: Display, Serif, Stab Serif, Extended, Wide, Art Deco, Decorative
Category: Pixel Optimized, Serif
9 Downloads9%20Downloads95 Comments5%20Comments582 Glyphs82%20Glyphs82For those who need to fill a long width with few characters, like the spine of a book or CD jacket.For%20those%20who%20need%20to%20fill%20a%20long%20width%20with%20few%20characters%2C%20like%20the%20spine%20of%20a%20book%20or%20CD%20jacket.

TFa PlumbA

 by atarbeevThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.23619
7.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 4 votes
Last edit: 03.10.2009
Tags: -
Category: Serif, Pixel Optimized
7 Downloads7%20Downloads76 Comments6%20Comments6127 Glyphs127%20Glyphs127

fs Dry Flat

 by thalamicThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 7.90568
7.9Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.9%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 9 votes
Last edit: 29.08.2009
Tags: Dots
Category: Pixel Optimized, Display, Sans Serif
9 Downloads9%20Downloads99 Comments9%20Comments983 Glyphs83%20Glyphs83For use at pixel level.   Also works at 32pt×x, where x=1,2,4,8,etc.-----This font has been a long time in the making. The dots are such that the curved shapes and squared-off letters just would not resolve to an equal height no matter what I tried. Then after the mixed x-height that came about in yesterday's la Cross, it occurred to me to just let the letters be as tall as they wanted to be. It seems to work for some odd reason. Can someone please explain why it works?For%20use%20at%20pixel%20level.%3Cbr%3E%26nbsp%3B%26nbsp%3B%26nbsp%3BAlso%20works%20at%2032pt%C3%97%3Ci%3Ex%3C%2Fi%3E%2C%20where%20x%3D1%2C2%2C4%2C8%2Cetc.%3Cbr%3E-----%3Cbr%3EThis%20font%20has%20been%20a%20long%20time%20in%20the%20making.%20The%20dots%20are%20such%20that%20the%20curved%20shapes%20and%20squared-off%20letters%20just%20would%20not%20resolve%20to%20an%20equal%20height%20no%20matter%20what%20I%20tried.%20Then%20after%20the%20mixed%20x-height%20that%20came%20about%20in%20yesterday%27s%20%3Ca%20href%3D%22http%3A%2F%2Ffontstruct.fontshop.com%2Ffontstructions%2Fshow%2F218334%22%3Ela%20Cross%3C%2Fa%3E%2C%20it%20occurred%20to%20me%20to%20just%20let%20the%20letters%20be%20as%20tall%20as%20they%20wanted%20to%20be.%20It%20seems%20to%20work%20for%20some%20odd%20reason.%20Can%20someone%20please%20explain%20why%20it%20works%3F

Sans Serious I

 by afrojetThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.09623
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.9%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 14 votes
Last edit: 02.10.2009
Tags: Jurriaan Schrofer, Bauhaus, Industrialization, Modular, Simplification, Standardization, Measurability, Visualrhythms, Functionality, Proportion, Monospace
Category: Pixel Optimized, Sans Serif, Display
12 Downloads12%20Downloads1211 Comments11%20Comments1162 Glyphs62%20Glyphs62The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern. From the book ‘Dutch Type’ by Jan Middendorp: “Schrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.” “In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.” Read more from ‘Dutch Type’. Image from Letters op matt. More images of Jurriaan Schrofer's work on Flickr: Schrofer in Total Design book. Cover for European Journal of Social Psycology Museumjournaal, design Jurriaan Schrofer Die Internationale Avant-Garde Jurriaan Schrofer - Fodor catalog Note: for all fonts in the ‘Sans Serious’ Series, the alphabet is the same for upper and lowercase.The%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%20is%20a%20group%20of%20tribute%20typefaces%20meant%20to%20honor%20Dutch%20designer%20and%20typographer%20Jurriaan%20Schrofer.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AAlong%20with%20Wim%20Crouwel%20and%20Josef%20Albers%2C%20Jurrian%20Schrofer%20%281926%20-%201990%29%20was%20among%20the%20Bauhaus%20pioneers%20of%20grid-based%20modular%20typography%20and%20design.%20%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ASchrofer%27s%20work%20experimented%20with%20type%2C%20light%2C%20and%20color%20and%20focused%20on%20mathematical%20shapes%20and%20pattern.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AFrom%20the%20book%20%26%238216%3B%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26dq%3DDutch%2BType%26printsec%3Dfrontcover%26source%3Dbn%26hl%3Den%26ei%3DSNHkStbjFonUsQP_gJWqAw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D4%26ved%3D0CBYQ6AEwAw%23v%3Donepage%26q%3D%26f%3Dfalse%22%3EDutch%20Type%3C%2Fa%3E%26%238217%3B%20by%20%3Ca%20href%3D%22http%3A%2F%2Fwww.janmiddendorp.com%2F%22%3EJan%20Middendorp%3C%2Fa%3E%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3ESchrofer%20made%20several%20attempts%20to%20create%20complete%20typefaces%20-%20one%20of%20which%20was%20wittily%20called%3C%2Fi%3E%20%3Cb%3ESans%20serious%3C%2Fb%3E%20%3Ci%3E-%20but%20this%20was%20never%20his%20goal.%20%26%238216%3BIs%20it%20necessary%26%238217%3B%2C%20he%20wrote%2C%20%26%238216%3Bto%20make%20complete%20alphabets%20with%20upper-%20and%20lowercase%2C%20figures%2C%20diacritics%20and%20seriously%20adorned%20with%20a%20name%2C%20when%20the%20aim%20is%20merely%20a%20formal%20investigation%20into%20basic%20recipes%26%238217%3B%20Schrofer%27s%20domain%20was%20never%20the%20design%20of%20typographic%20alphabets%2C%20to%20be%20used%20by%20other%20designers%2C%20but%20always%20the%20creation%20of%20letterforms%20%26%238216%3Bmade%20to%20measure%26%238217%3B%20as%20part%20of%20his%20own%20designs%20of%20-%20mainly%20-%20book%20covers%20and%20postage%20stamps.%20He%20created%20a%20rectangular%20alphabet%20as%20the%20basic%20element%20of%20his%20ever-changing%20covers%20-%20each%20based%20of%20the%20same%20grid%20but%20colored%20differently%20-%20for%20a%20series%20of%20scientific%20books%2C%20%26%238216%3BLes%20textes%20sociologiques%26%238217%3B%20from%20Mouton%20Publishers.%20He%20made%20sophisticated%20pixel-based%20letters%2C%20all%20drawn%20by%20hand%2C%20and%20experimented%20with%20photographic%20screens%20as%20a%20means%20of%20distinguishing%20simplified%20letterforms%20from%20the%20background.%20He%20created%20logotypes%20built%20from%20custom-made%20letterforms%2C%20based%20on%20rectangular%20grids.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%26%238220%3B%3Ci%3EIn%20his%20booklet%20%26%238216%3BLetters%20op%20maat%26%238217%3B%20%28%26%238216%3BType%20made%20to%20measure%26%238217%3B%2C%201987%29%2C%20Schrofer%20presented%20many%20of%20his%20experimental%20alphabets%20from%20the%201960s%20and%20%2770s.%20The%20booklet%20was%20part%20of%20a%20series%20of%20goodwill%20publications%20edited%20by%20Wim%20Crouwel%20for%20Lecturis%20Printers%2C%20Eindhoven.%3C%2Fi%3E%26%238221%3B%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DsR9g5xPPJVQC%26pg%3DPA124%26lpg%3DPA124%26dq%3D%2522Jurriaan%2BSchrofer%2522%26source%3Dbl%26ots%3DV4qa89tqBF%26sig%3DHVQzWbGYS7P8BlrTIyHTx3CR7OM%26hl%3Den%26ei%3DBj_iSujcKJSasgP_n4y_Aw%26sa%3DX%26oi%3Dbook_result%26ct%3Dresult%26resnum%3D14%26ved%3D0CCwQ6AEwDQ%23v%3Donepage%26q%3D%2522Jurriaan%2520Schrofer%2522%26f%3Dfalse%22%3ERead%20more%3C%2Fa%3E%20from%20%26%238216%3BDutch%20Type%26%238217%3B.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2F212.123.233.206%2Fvisuals%2Fobjects%2Flarge%2FNAGO_JS0730_X_1105107533.jpg%22%3EImage%20from%20Letters%20op%20matt%3C%2Fa%3E.%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0AMore%20images%20of%20Jurriaan%20Schrofer%27s%20work%20on%20Flickr%3A%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F485141284%2Fsizes%2Fo%2F%22%3ESchrofer%20in%20Total%20Design%20book.%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fdesn210_09%2F3350769034%2F%22%3ECover%20for%20European%20Journal%20of%20Social%20Psycology%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Fpajatroops%2F3636985548%2F%22%3EMuseumjournaal%2C%20design%20Jurriaan%20Schrofer%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2F43475999%40N05%2F4038896017%22%3EDie%20Internationale%20Avant-Garde%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0A%3Ca%20href%3D%22http%3A%2F%2Fwww.flickr.com%2Fphotos%2Finsect54%2F2109838957%22%3EJurriaan%20Schrofer%20-%20Fodor%20catalog%3C%2Fa%3E%0D%0A%3Cbr%20%2F%3E%3Cbr%20%2F%3E%0D%0ANote%3A%20for%20all%20fonts%20in%20the%20%26%238216%3BSans%20Serious%26%238217%3B%20Series%2C%20the%20alphabet%20is%20the%20same%20for%20upper%20and%20lowercase.

Serpentine

 by Magic SamThis FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.
  • Currently 8.24613
8.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 19 votes
Last edit: 14.09.2009
Tags: Curvy, Outline, Magic, Magicsam, Serpentine, Edge, Edgy
Category: Pixel Optimized, Display, Sans Serif
13 Downloads13%20Downloads1312 Comments12%20Comments12132 Glyphs132%20Glyphs132Serpentine is another easygoing Outline-type which can be used for headlines. Take a look at the example, hope you like it. I´m open for any suggestions. *=alt.B, #=alt.R, %=alt.eSerpentine%20is%20another%20easygoing%20Outline-type%20which%20can%20be%20used%20for%20headlines.%20Take%20a%20look%20at%20the%20example%2C%20hope%20you%20like%20it.%20I%C2%B4m%20open%20for%20any%20suggestions.%0D%0A%2A%3Dalt.B%2C%20%23%3Dalt.R%2C%20%25%3Dalt.e

Carmen

by TyperepublicFontShop.com
Carmen
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com
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